Search

Release: September 20, 2015

$6.99

Description

Return to Pixie Hollow for a heartwarming adventure, Disney's TINKER BELL AND THE LEGEND OF THE NEVER BEAST. An ancient myth of a massive creature sparks the curiosity of Tinker Bell and her good friend Fawn, an animal fairy who's not afraid to break the rules to help an animal in need. But this creature is not welcome in Pixie Hollow -- and the scout fairies are determined to capture the mysterious beast, who they fear will destroy their home. Fawn must convince her fairy friends to risk everything to rescue the NeverBeast. This thrilling action-adventure roars to life with never-before-seen bonus extras on Disney Blu-ray and DVD.

Release: October 11, 2022

$6.99

Description

A mysterious stranger tells the twisted tale of seemingly unconnected strangers caught in a series of otherworldly events whose lives will change in incredible ways forever.

Release: September 29, 2026

$7.99

Description

Frankie Robertson returns from the grave to wreak havoc on a houseful of unsuspecting partying teenagers. Partially shot by Mark Borchardt (American Movie) and directed by Michael Heagle (Go To Hell), TOGA PARTY MASSACRE is a lost 80s slasher movie that perfectly encapsulates the time period and the DIY underground filmmaking ethos. VHSHITFEST is so happy to finally release this gem to the world, along with hours of extras! Bonus Features: 1. Toga Party Massacre: Original VHS Cut 2. Toga Party Massacre Trailer 3. Several Sheets to the Wind: The Making of Toga Party Massacre 4. The Metalhead Muse: An Interview with Matt Kolata 5. Mary the Final Girl: An Interview with Celia Farran 6. The Other Side (1989) 7. Board Game Gothic: The Making of The Other Side 8. Very Scary (1989) 9. Night of the Not Quite Dead Yet (1987) 10. Turning Left on Plummer Avenue (1990) 11. Trailer Reel 12. Blood Harvest (1983) 13. The Apocalypse Fragments (1982 - 1991) 14. The Fantasy Experiments (1983 - 1984) 15. Dolphania: Crab Attack (1981) 16. Ninja: Invisible Assassins (1983) 17. Behind the Scenes of Consumed (1991) 18. Tales of a Teenage Stuntman: An Interview with Mark Stenen Top Similar From the Brand Questions Reviews Toga Party Massacre [Blu-ray] Toga Party Massacre

Release: September 21, 2021

$6.99

Description

Product Description He's been described as "The Fassbinder of 42nd Street" (Artforum), "a celebration of hate" (Bleeding Skull) and "an unmatched voice from the underbelly of low-budget cinema" (Rue Morgue). More than a quarter century after his death, he remains perhaps the most divisive name in genre history. Severin Films now presents the cranium-cleaving collection devoted to writer/actor/director Andy Milligan - "a gay sadist who pioneered New York's avant-garde theater world and made astonishingly unique exploitation movies" (Diabolique Magazine) - on 8 Blu-rays featuring 14 surviving films from his NYC and London years, 10+ hours of trailers, outtakes, interviews & audio commentaries, a bonus CD and an all-new 128-page book by Stephen Thrower that explores the profane madness behind it all. From his provocative underground work through his international scuzz-horror classics, experience the venomous legacy of the filmmaker Time Magazine calls "depraved, degenerate, desperate, damned" like never before. Review PERVERSELY ARRESTING... Andy Milligan was one of the most extreme characters in exploitation cinema's lurid annals. --Variety This is yet another item for cult fans where the overall package may be near irresistible. Severin has done Andy Milligan proud with this release with some really appealing supplements. Recommended. --Blu-ray(dot)com

Release: January 24, 2012

$6.99

Description

For the first time in motion picture history, the outrageous talent of Richard Pryor and the ingenious comedic sense of Jackie Gleason are combined in the same film. Gleason is U.S. Bates, a megalomaniac millionaire who owns most of south central Louisiana. Pryor is Jack Brown, a former journalist who has worked his way down the vocational ladder to the position of janitor in Bates' department store. Among Bates' other vast holdings is a young son Eric (Scott Schwartz), who visits his father for one week a year. Typically, Eric is chauffeured to the department store after-hours to pick out anything he wants. This time, Eric has a more elaborate toy in mind —Jack Brown. So begins the unique relationship that teaches Eric more about life than fun and games.

Release: February 2, 2018

$6.99

Description

Best friends Sadie and McKayla are on a mission to boost their social media fandom as amateur crime reporters hot on the trail of a deranged local serial killer. After they manage to capture the killer and secretly hold him hostage, they realize the best way to up get scoops on future victims would be to, you know, murder people themselves. As the @TragedyGirls become an overnight sensation and panic grips their small town, can their friendship survive the strain of national stardom? Will they get caught? Will their accounts get verified?

Release: November 8, 2022

$6.99

Description

Jack Deth jumps back to the future in this thrilling fourth chapter in Charles Band's immortal sci-fi action series! When the time-travelling TCL chamber goes haywire, perpetually surly supercop Jack Deth (once more played by the iconic Tim Thomerson) accidentally winds up in a deadly alternate dimension in which a new breed of the ghoulish Trancers have assumed complete control. Will Jack and the rebel group of "Tunnel Rats" bring down the evil Trancer reign, or will they be crushed by the tyrannical fist of the evil Lord Caliban? TRANCER 4: JACK OF SWORDS is directed by Emmy Award winner David Nutter (GAME OF THRONES) and features a cast that includes Full Moon favorite Stacie Randall (PUPPET MASTER 4) and Stephen Macht (THE MONSTER SQUAD). Get ready for two-fisted adventure and insane intrigue, Jack Deth style, remastered from the original negative for the FIRST TIME in startling HD! Don't be a squid! Dive in!

Release: November 8, 2022

$6.99

Description

IT’S TIME FOR SUDDEN DETH! You can't keep a good future cop down, as this fifth fantastic feature in the TRANCERS saga proves! The iconic Jack Deth (Tim Thomerson) finds himself once more lost in - and running out of - time and desperately trying to find his way home from the evil interdimensional world of Orpheus, where magic works and the trancers are the ruthless ruling class. However, Jack's quest to find the mystical 'Tiamond' in the Castle of Unrelenting Terror threatens to be thwarted by the return of the wicked Caliban, the Lord of the TRANCERS and a fiend once thought to be dead. Will Deth live to tell the tale, or will he be sent to oblivion? Only time will tell. Full Moon is thrilled to be presenting this two-fisted, sci-fi saga in a stunning new transfer, remastered from the original camera negative. It's TRANCERS 5: SUDDEN DETH like you've never seen it before! SPECIAL FEATURES: Original Trancers Video Zone featurette.

Release: June 7, 2011

$6.99

Description

Product Description From director Michael Bay and executive producer Steven Spielberg comes a thrilling battle between the heroic Autobots and the evil Decepticons. When their epic struggle comes to Earth, all that stands between the Decepticons and ultimate power is a clue held by young Sam Witwicky (Shia LaBeouf). Unaware that he is mankind’s last chance for survival, Sam and Bumblebee, his robot disguised as a car, are in a heart-pounding race against an enemy unlike anything anyone has seen before. It’s the incredible, breath-taking film spectacular that USA Today says “will appeal to the kid in all of us.” Amazon.com "I bought a car. Turned out to be an alien robot. Who knew?" deadpans Sam Witwicky, hero and human heart of Michael Bay's rollicking robot-smackdown fest, Transformers. Witwicky (the sweetly nerdy Shia LaBeouf, channeling a young John Cusack) is the perfect counterpoint to the nearly nonstop exhilarating action. The plot is simple: an alien civil war (the Autobots vs. the evil Decepticons) has spilled onto Earth, and young Sam is caught in the fray by his newly purchased souped-up Camaro. Which has a mind--and identity, as a noble-warrior robot named Bumblebee--of its own. The effects, especially the mind-blowing transformations of the robots into their earthly forms and back again, are stellar. Fans of the earlier film and TV series will be thrilled at this cutting-edge incarnation, but this version should please all fans of high-adrenaline action. Director Bay gleefully salts the movie with homages to pop-culture touchstones like Raiders of the Lost Ark, King Kong, and the early technothriller WarGames. The actors, though clearly all supporting those kickass robots, are uniformly on-target, including the dashing Josh Duhamel as a U.S. Army sergeant fighting an enemy he never anticipated; Jon Voight, as a tough yet sympathetic Secretary of Defense in over his head; and John Turturro, whose special agent manages to be confidently unctuous, even stripped to his undies. But the film belongs to Bumblebee, Optimus Prime, and the dastardly Megatron--and the wicked stunts they collide in all over the globe. Long live Transformers! --A.T. Hurley

Release: November 11, 2025

$7.99

Description

Get ready to roll out with the Autobots and their human allies as they defend the world from the evil Decepticons. Containing the first seven blockbuster TRANSFORMERS movies with and out-of-this-world special features, together in one slipcase. From Michael Bay’s thrilling, action-packed TRANSFORMERS (2007) to the recent TRANSFORMERS: RISE OF THE BEASTS (2023), this must-have set features an all-star cast that includes Shia LaBeouf, Megan Fox, Mark Wahlberg, John Cena, Hailee Steinfeld, Josh Duhamel, Tyrese Gibson, John Turturro, Rachael Taylor, Stanley Tucci and more.

Release: December 17, 2024

$6.99

Description

Eons ago, Optimus Prime and Megatron were known as Orion Pax (voiced by Chris Hemsworth) and D-16 (Brian Tyree Henry), humble miner robots trying to sustain their people's subterranean existence, and dreaming of leading their return to Cybertron's ravaged surface. They'd get their chance-and the perilous quest that saw their friendship fissure into enmity is chronicled in this anticipated animated origin story. With the voices of Scarlett Johansson, Keegan-Michael Key, Steve Buscemi, Jon Hamm. 104 min. Widescreen; Soundtrack: English.

Release: December 17, 2024

$7.99

Description

Eons ago, Optimus Prime and Megatron were known as Orion Pax (voiced by Chris Hemsworth) and D-16 (Brian Tyree Henry), humble miner robots trying to sustain their people's subterranean existence, and dreaming of leading their return to Cybertron's ravaged surface. They'd get their chance-and the perilous quest that saw their friendship fissure into enmity is chronicled in this anticipated animated origin story. With the voices of Scarlett Johansson, Keegan-Michael Key, Steve Buscemi, Jon Hamm. 104 min. Widescreen; Soundtrack: English.

$6.99

Description

Sam and the Autobots face a new Decepticon plot tied to an ancient machine capable of catastrophic destruction.

Release: September 30, 2011

$6.99

Description

A mysterious event from Earth's past threatens to ignite a war so big that the Transformers™ alone will not be able to save the planet. Sam Witwicky (Shia LaBeouf) and the Autobots™ must fight against the darkness to defend our world from the Decepticons™ all-consuming evil in the smash hit from director Michael Bay and executive producer Steven Spielberg.

$6.99

Description

Sam Witwicky (Shia LaBeouf) and his new girlfriend, Carly (Rosie Huntington-Whiteley), join the fray when the evil Decepticons renew their longstanding war against the Autobots. Optimus Prime (Peter Cullen) believes that resurrecting ancient Transformer Sentinel Prime (Leonard Nimoy), once the leader of the Autobots, may lead to victory. That decision, however, has devastating consequences; the war appears to tip in favor of the Decepticons, leading to a climactic battle in Chicago. The DIGITAL COPY for this movie has EXPIRED.

Release: September 30, 2011

$6.99

Description

A mysterious event from Earth's past threatens to ignite a war so big that the Transformers™ alone will not be able to save the planet. Sam Witwicky (Shia LaBeouf) and the Autobots™ must fight against the darkness to defend our world from the Decepticons™ all-consuming evil in the smash hit from director Michael Bay and executive producer Steven Spielberg.

Release: October 20, 2009

$6.99

Description

Product Description One of the most popular, thrill-packed, franchises of all time is back with even MORE ACTION and MORE Autobots and Decepticons! In the highly anticipated Transformers: Revenge of the Fallen, Decepticon forces return to Earth on a mission to take Sam Witwicky (Shia LaBeouf) prisoner, after the young hero learns the truth about the ancient origins of the Transformers. Joining the mission to product humankind is Optimus Prime, who forms an alliance with international armies for a second epic battle. Amazon.com Pure.

Release: October 29, 2024

$7.99

Description

Dive into the sinister and darkly humorous world of Trick 'r Treat, written and directed by Michael Dougherty. This anthology film communes with the spirits of classic horror portmanteaus like Creepshow and Tales from the Crypt, weaving together four chilling tales, all taking place during the same fateful Halloween night. Follow the secretive and disturbing life of a high school principal (Dylan Baker) who leads a double life as a ruthless serial killer; the journey of a young girl (Anna Paquin) looking for love who finds something infinitely more macabre; a group of teenagers playing a prank with disastrous consequences; and an old man (Brian Cox) confronted by Sam, a mischievous trick-or-treater with a terrifying secret. With its interwoven tales of terror and unforgettable characters, Trick 'r Treat has cemented itself as a Halloween essential, paying loving homage to the golden age of horror comics and 80s creature features with a slick modern style sure to send shivers down the spine of any fright fiend. Get ready for the scariest Halloween of your life - and remember, always check your candy!

Release: October 9, 2018

$7.99

Description

A creepy, darkly comic celebration of the scariest night of the year from writer-director Michael Dougherty (Krampus, Godzilla: King Of The Monsters), Trick 'r Treat takes the Creepshow/Tales From The Crypt approach to nefarious new depths with four interwoven tales set on Halloween night. A high school principal (Dylan Baker) moonlights as a vicious serial killer; the quest of a young virgin (Anna Paquin) for that special someone takes a gruesome turn; a group of teens carries out a cruel prank with disastrous consequences; and a cantankerous old man (Brian Cox) battles a mischievous trick-or-treating demon. Bonus Content: 2K Scan of the Original Film Elements Supervised and Approved by Director Michael Dougherty Tales of Folklore & Fright: Creating Trick 'r Treat - Including Interviews with Writer/Director Michael Dougherty, Conceptual Artist Breehn Burns, and Storyboard Artist Simeon Wilkins Tales of Mischief & Mayhem: Filming Trick 'r Treat - In-depth Interview with Michael Dougherty on the Making of the Film Sounds of Shock & Superstition: Scoring Trick 'r Treat - Including Interviews with Michael Dougherty and Composer Douglas Pipes Tales of Dread and Despair: Releasing Trick 'r Treat - A Look at the Release and Fandom with Michael Dougherty and Writer Rob Galluzzo 2K Scan of the Original 16mm Elements of Season's Greetings - A Short Film by Michael Dougherty with Optional Commentary by Dougherty Storyboard and Conceptual Artwork Gallery Behind the Scenes Still Gallery Monster Mash - A Story form the Trick 'r Treat Graphic Novel FEARnet.com Shorts Audio Commentary with Director Michael Dougherty Trick 'r Treat: The Lore and Legends of Halloween Featurette Deleted and Alternate Scenes with Optional Commentary by Director Michael Dougherty School Bus FX Comparison Theatrical Trailer

Release: November 10, 2009

$6.99

Description

Product Description The New 70th Anniversary Special Edition of Trinity and Beyond - the Atomic Bomb Movie is 100 minutes long, includes improved restoration, new shots and longer sequences in HD. Trinity and Beyond is an unsettling yet visually fascinating documentary presenting the history of nuclear weapons development and testing between 1945 until 1963. Narrated by William Shatner and featuring an original score performed by the Moscow Symphony Orchestra, the film reveals unreleased and classified government footage depicting in graphic detail these powerful and awesome weapons. Many scenes were restored with an Academy Award winning process created to make the footage look new. Director/producer Peter Kuran, traveled throughout the U.S. to locate footage that includes bombs being suspended by balloon, exploding under the ocean, being shot from a cannon and detonated in outer space. © 2006 VCEinc. Running Time: now 100 minutes! Special HD version, 1920 x 1080. The Blu-ray features: Stereo and Dolby 5.1 Surround sound track Atomic trailers New Atomic Bomb footage in HD and more! Review In the salad days of nuclear-weapons testing, the United States detonated 331 atomic, hydrogen, and thermonuclear bombs. Many of those explosions appear in Trinity and Beyond, which utilizes a lot of declassified footage, most of it in color. Standouts include the United States' South Pacific detonation of an atom bomb 90 feet below the water to study the effects on a fleet of ships. Surprise, surprise, they sink! If that wasn't enough, the navy also loaded the decks with sheep to study the effects of the blast on life forms. Surprise, surprise, they die! Glowing leg of lamb anyone? This film will alternately amuse and horrify you at the rampant irresponsibility of the Soviets and Americans in their quest for nuclear domination. The Russians have the honor of having detonated the largest nuclear bomb ever at a whopping 58 megatons. The Hiroshima bomb was barely a kiloton. Of course, after the U.S. and Russia ceased their activities, the Chinese decided to get in on the act. But that's a different story for a different documentary -- --Kristian St. Clair, Amazon.com

$6.99

Description

In a post-apocalyptic future, a Vatican agent who is secretly a powerful vampire fights to protect humanity from warring factions.

$6.99

Description

In a post-apocalyptic future, a Vatican agent who is secretly a powerful vampire fights to protect humanity from warring factions.

Release: April 12, 2022

$6.99

Description

It’s angry. It’s hungry. It’s extremely well-armed—and it’s descending on a small seaside town to sample the local cuisine! When a giant, bloodthirsty octopus emerges from the deep, John Huston (Winter Kills), Shelley Winters (Bloody Mama), Bo Hopkins (White Lightning) and Henry Fonda (Meteor) do all they can to keep the marine menace from turning their sleepy village into a one-stop snack-shop. Cult movie maven Ovidio G. Assonitis, the twisted mind behind Beyond the Door, The Visitor, Madhouse and The Curse, serves up a slimy scare-fest with a pounding score by Italian genre great Stelvio Cipriani (A Bay of Blood, What Have They Done to Your Daughters?). It’s a fast-paced thriller that’ll grip you with relentless terror—and never let go! Special Features: -Theatrical Trailer -Radio Spot -Optional English Subtitles

Release: January 11, 2018

$6.99

Description

A drifter known as Trinity teams up with his tough brother Bambino to protect Mormon settlers and outwit a corrupt land baron.

Release: January 11, 2018

$6.99

Description

Bambino and Trinity return, conniving their way into trouble with monks, outlaws, and a wealthy villain in this slapstick Spaghetti Western sequel.

Release: September 26, 2017

$7.99

Description

Vinegar Syndrome specializes in the masterful restoration and distribution of cult, horror, and erotic films from the 1960s-90s. Ms. Tenney (Brenda Fogarty) and a group of summer school students are on a camping trip in the desert to study ancient native cultures and to hike through the Grand Canyon. But when their bus breaks down in the middle of nowhere, a trio of bikers, led by the demented Al (Zalman King) finds them and tricks them into heading out to an abandoned farmhouse. Fearing for their lives, the girls and their teacher try to survive the night and the short tempered, psycho biker Al. A grim, violent, and suspenseful survival thriller crossed with a biker film, TRIP WITH THE TEACHER was the sole feature directorial effort from acclaimed choreographer and dancer, Earl Barton, and co-stars Robert Gribbin (Don't Go Near the Park), Dina Ousley, and Cathy Worthington. Atmospherically photographed and tightly edited, TRIP is an unforgettable grindhouse masterpiece that's making its Blu-ray debut from Vinegar Syndrome, newly restored from its original camera negative. Bonus Features: 1. Limited edition of 3,000 2. Newly scanned and restored in 2k from the 16mm original camera negative 3. Commentary track with: Earl Barton (director), Cathy Worthington (actress) and Dina Ousley (actress) 4. "Taking the Trip" - video interview with actress Brenda Fogarty 5. Original theatrical trailer 6. Multiple tv spots 7. Still gallery 8. Reversible cover artwork 9. English SDH Subtitles

$7.99

Description

A pampered Beverly Hills mother takes over her daughter's Wilderness Girls troop and turns camping into a fashionably chaotic adventure.

Release: June 23, 2026

$7.99

Description

An undertaker and his two friends, who are restaurant owners, drum up business by going out on the town and killing people. The restaurant owners use parts of the bodies for their menu, and the undertaker gets paid by the families to bury the leftovers.

Release: November 29, 2011

$6.99

Description

TUCKER & DALE VS EVIL is a hilariously gory, good-spirited horror comedy, doing for killer rednecks what SHAUN OF THE DEAD did for zombies. Tucker and Dale are two best friends on vacation at their dilapidated mountain house, who are mistaken for murderous backwoods hillbillies by a group of obnoxious, preppy college kids. When one of the students gets separated from her friends, the boys try to lend a hand, but as the misunderstanding grows, so does the body count. TUCKER & DALE VS EVIL has been a hit on the festival circuit, debuting at Sundance, and winning the Midnight Audience Award at SXSW, the Jury Prize for First Feature at Fantasia, the Best Director award at Fantaspoa, and the Best Motion Picture Award at Sitges.

Release: September 29, 2009

$6.99

Description

Product Description Twin Spirits is a unique and intimate, live theatrical performance by a chamber ensemble of actors, singers and musicians, portraying the deep and ultimately tragic love between the composer Robert Schumann and his pianist wife Clara Wieck. In this intensely moving performance of words, song and music, the Schumanns’ long separation, so formative an influence on their lives, is reflected in the division of the ensemble into male and female groups. Robert's letters to Clara are read by Sting and his songs sung by Simon Keenlyside, with accompaniments and instrumental music played by Iain Burnside and Sergej Krylov. Clara's letters to Robert are read by Trudie Styler and her songs sung by Rebecca Evans, with accompaniments and instrumental music played by Natalie Clein and Natasha Paremski. The narrator, Derek Jacobi, links together the letters and lyrics to complete the essential outline of the story. Conceived and directed by John Caird, Twin Spirits was first performed in June 2005 at the Royal Opera House, Covent Garden, London and has since been experienced only at private performances for charity by small audiences of all ages and interests, leaving them deeply touched and inspired. Press Reviews "Twin Spirits portrays the life and love of Robert and Clara Schumann through readings of their surviving letters. These are read by Sting and Trudie Styler, with Derek Jacobi authoritatively filling in any gaps in the story. In one sense it's a static productions, with everyone seated throughout, but it's actually quite engrossing - perfectly paced and beautifully filmed. It's impossible not to emerge with both a true empathy for the Schumanns and a renewed or awakened interest in their music. The acting stays just the right side of luvviness, with Sting and Styler delivering strong, subtly believable performances. They're supported by beautifully executed interludes from a top line-up of soloists. This is tender, moving, well put together, and supplemented by an enlightening bonus DVD." (Classic fM) "John Caird's Twin Spirits, filmed live at the Royal Opera House, is beautifully constructed and performed with extraordinary fervour… Sting and Trudie Styler's own marriage undoubtedly informs their profoundly affecting portrayal of the Schumanns… Musical choices are mostly Schumann, a bit of Clara and some evocative Mozart and Chopin... often in special arrangements. Bonus material is generous... The issues are fascinating, though. How good is Clara's music? The jury is still out." (BBC Music Magazine) Cast Sting (Actor) Trudie Styler (Actor) Derek Jacobi (Narrator) Simon Keenlyside (Tenor) Sergej Krylov (Violin) Iain Burnside (Piano) The Orchestra of the Royal Opera House Production Company: Royal Opera House Stage Director: John Caird Disc Information Catalogue Number: OABD7043D Date of Performance: 2005 Running Time: 206 minutes Sound: 2.0 & 5.0 PCM Aspect Ratio: 1080i High Definition / 16:9 Subtitles: EN, FR, DE, ES, IT + EN (SONGS ONLY) Label: Opus Arte Review A Great Love Story is Told in Words and Music The nearly legendary story of Robert and Clara Schumann was staged and filmed at the Royal Opera House, Covent Garden, in 2007. The production, titled "Twin Spirits," is now available in a 2-DVD set from Opus Arte, and it is impressive and unusual. As Narrator, Derek Jacobi has center stage. On his right are actor Sting to read from Robert Schumann's letters, baritone Simon Keenlyside to sing Schumann's songs, Sergej Krylov (violin), and Iain Burnside (piano). On his left are actress Trudie Styler to read from Clara's letters, soprano Rebecca Evans to sing selections as a solo or as a duet with Keenlyside, Natalie Clein (cello), and Natasha Peremski (piano). The first disc contains the performance, which is an expert balance of narration and dramatic readings with solos and accompaniments from the musicians. As is explained in the program notes, some of the selections were edited in various ways for theatrical effect. All in all, it provides a fascinating insight into two human beings who loved, created complex and beautiful music, and finally suffered when Robert had a mental breakdown. The second disc offers another set of insights into the genius of the two when different members of the cast, actors and players, discuss the personalities and works of the two Schumanns. The educational value of this disc alone is great. I would like to see similar formats used for other famous musicians--but only with such skilled artists as were used in "Twin Spirits." But when will art departments stop using white print over colored backgrounds in the booklets, which might please their eyes but ruin ours? -- Art Times, Frank Behrens, December 2009 Better than you'd expect. This entertainment comes out of a charity event held at the Royal Opera House, Covent Garden. If you don't blink, you can see Alfred Brendel schmoozing before the curtain goes up. Basically, it pairs the music of Robert and Clara Schumann with their writings to and about one another (with side trips to Mozart and Chopin). The texts and notes don't line up chronologically, but emotionally. The words, from letters and diaries (particularly the so-called "marriage" diary which they kept jointly), chronicle the couple from pre-courtship to Robert's insanity and death, with a bit on Clara's long widowhood. A whiff of the "high-class" charity event lingers a little over the enterprise. Frankly, when I saw Sting's name, I muttered, "God save us from arty rockers." However, Sting surprised me. His delivery was intelligent, understated, with just enough "characterization" that you felt the presence of another personality, perhaps even Schumann's. In other words, he convinced me. It's the professional actors -- Jacobi and Styler -- that I occasionally caught "acting." Jacobi at times became a Masterpiece Theatre compère, while Styler here and there over-emoted. Her young Clara Wieck was a little too cute. However, Jacobi's lines functioned simply for set-ups and connections, and Styler became genuinely moving as Clara bears the family catastrophe. However, the real glory of the evening lies -- don't be too surprised -- in the music and the performances. Evans does well with her songs, although she occasionally slips into opera mode. Burnside supplies sensitive accompaniments -- a pro who knows his Schumann. The cellist Natalie Clein . . . well, I couldn't concentrate too well on her music-making, she's so gorgeous -- a bit like the young Argerich. What I did get showed a fiery but musical personality. She's wonderful in chamber music. American pianist Natasha Paremski negotiated some fiendish passage-work from Clara's piano concerto with spirit and aplomb. Violinist Sergei Krylov seemed uncomfortable in a chamber setting, but he certainly set the tone of the playing. You couldn't accuse him of bland good taste or timidity. However, baritone Simon Keenlyside stood out. I've heard few better Lieder singers. Furthermore, his duet with Evans in Mozart's "Là ci darem" from Don Giovanni provided the musical highpoint of the enterprise -- silkily seductive and a better aphrodisiac than oysters (though not as tasty). It strikes me as ironic that Mozart beats out Schumann in a Schumann documentary -- home-field advantage notwithstanding. The music, for the most part, serves the drama. Sometimes, we get abbreviations or cutoffs so the readings may continue. At other times, piano pieces have been "orchestrated" for the instrumental ensemble and at least one solo song turned into a duet. However, Martin Ward displays great taste, even in a chamber arrangement of something like "Träumerei" -- a trap that can lead to sugar coma if you don't take care. Some of the best bits come from the bonus disc, which contains, among other things, interviews with the musicians and the actors as well as a short documentary made at the Schumann-Haus in Zwickau, the composer's birthplace. John Caird serves as interlocutor. As he talks with the actors, it becomes clear that the group brings contemporary cultural perspectives to the marriage. Clara becomes the put-upon mother of the brood, while Robert flits about doing as he pleases -- writing symphonies and music criticism, preparing to conduct, and so on. This really doesn't survive a moment's thought. Clara, one of the greatest pianists of her day, was the primary breadwinner (one of her tours paid the family's expenses for three years) and had plenty of domestic help. She couldn't have practiced otherwise, and she set herself challenging programs. Don't get me wrong. She had plenty to put up with otherwise from Schumann, who among other things couldn't bear extraneous noise while he worked. I don't remember how they worked it out. She may have had to practice off-premises or Schumann may have composed off-premises. At any rate, musicologist Daniel Gallagher sits in and occasionally and gently puts things right. I should point out that these are extremely informal conversations among intelligent people. My favorite moment comes from pianist Natasha Paremski, who uses the word "vibe" and then asks, "That's not too American a word, is it?" Iain Burnside replies in his Best British Manner, "It's a word, yes." For me, however, the documentary, One Heart, One Soul, counts as the most interesting portion of the bonus features. It consists of the director of Schumann-Haus, Gerd Nauhaus, a man who knows his Schumann as well as anybody, discussing the composer. He too corrects some of the misperceptions that have arisen during the other interviews. Nauhaus speaks German, but you can choose subtitles from among several languages, including English. One may very well ask what audience these discs serve. Sting provides one answer: those not normally interested in classical music can come to the genre by getting involved in the story. It is a cracking good story, if a little weepy -- a Romance novel that happens to be true. Die-hard Sting fanatics will probably want it, even though he doesn't sing. Those who know their Schumann may or may not find something to interest them. The performances all shine, but it's not a Schumann concert, after all. You'll just have to work it out for yourselves. -- Classical CD Review, Steve Schwartz, February 2010 Having brought John Dowland to the masses with his album Songs from the Labyrinth, Sting takes another shot at presenting classical music to a wider audience which has developed the infuriating habit of not taking any notice of it. In this live performance, Sting portrays the passionate and tragically short-lived Robert Schumann by reading from his letters, while his wife Trudie Styler enacts the role of Robert's spouse Clara Schumann (formerly Wieck). In between, selections from the Schumanns' music are played by an ensemble comprising cellist Natalie Clein, pianists Iain Burnside and Natasha Paremski, violinist Sergej Krylov and singers Simon Keenlyside and Rebecca Evans. "I think it's a great `in' for people who don't normally listen to classical music," says Sting. Twin Spirits was devised as a fundraiser for a variety of charities, including the Royal Opera House, so we probably have to forgive its overtones of highbrow schlock. However, our task is not made easier by Derek Jacobi's performance as narrator. Ensconced on a throne and dressed like a Victorian philanthropist, Sir Del is at his fruitiest and most orotund. Fans of Frasier may be reminded of his guest performance as Jackson Hedley, the world's most preposterous Shakespearean actor. However, although Sting has suffered his share of critical brickbats, here he keeps a straight bat and delivers his readings with a mixture of wry humour and quiet sincerity. Trudie sometimes lurches into over-emoting luvviedom, but then again, she was a member of the RSC back in the day, which is how the RSC's John Caird was recruited to direct the project. And it can't be denied that the saga of the Schumanns' doomed greatest-love-of-all is a powerful tear-jerker. "There are moments in the story that make me very fearful," Styler admits. "The idea of losing my husband confronts me when I look at Sting as Robert. There are a few moments in the script where Robert and Clara are having a good time, so I try to make the most of them, just as I do in my own life." At 90 minutes, Twin Spirits cries out for some editing scissors, but perseverance is rewarded by the quality of the musical performances. Simon Keenlyside brings thunderous conviction to his musical portrayal of Robert Schumann, and the quartet performance of Traumerei, which marks the composer's solitary and miserable death, feels lonelier than a coyote's howl. Surprisingly, the second disc of additional features contains some of the best bits, especially Caird's conversations with the participants. All the musicians offer useful insights into the music, with Iain Burnside contributing shrewd remarks about the way Robert Schumann's music demands active intervention from the performer to bring it to life. When Caird introduces musicologist Daniel Gallagher to supply commentary on the Schumanns' life and work, he's so fascinating that that even Sting and Trudie find themselves spontaneously quizzing him. Despite all this, if you really want to explore the Schumanns' work, you might consider buying a selection of CDs and playing them a lot. -- The Arts Desk, Adam Sweeting, October 1, 2009 In his lifetime, Robert Schumann remained in the shadow of his wife Clara Wieck, whose concert career as a pianist took her all over Europe while he labored as a music journalist and largely unrecognized composer. Clara's overbearing father had taught them both piano, but his callous objections to the growing romance between Robert and Clara resulted in a physical separation that -- happily for musicologists -- left hundreds of letters detailing the musical and emotional development of this fascinating couple. While in different cities, they would often arrange to play the same piece at the same time, and then write to each other about the emotions aroused; once they were finally married, they kept a joint "marriage diary" for three and half years that recorded their musical and domestic happiness. Sting and his wife, actor Trudie Styler, are joined by Derek Jacobi, soprano Rebecca Evans, baritone Simon Keenlyside, and four instrumentalists for Twin Spirits, an educational project from London's Royal Opera House that presents the lives and works of Clara and Robert Schumann. Sting and Styler portray the couple in words, Keenlyside and Evans in music. Jacobi narrates. Devised and directed by John Caird, the show was recorded live in an intimately arranged and lit studio space at the opera house. It weaves together musical excerpts, love letters, diary entries and narration to tell the story of their love and marriage, tragically shortened when Robert's mental illness forced his commitment to an asylum. The show itself, which has been given as charity performances since 2005, is both informative and affecting, with spontaneous and energetic musical contributions, especially Evans's urgent rendition of Clara's "Er ist gekommen" and Keenlyside's sweeping "Ich grolle nicht," capped by a powerful high A. Evans's controlled voicing of "Ich hab im Traum geweinet" and Keenlyside's "Stille Liebe" are also effective. Most of the musical selections are short, and many have violin and cello additions, which lend an appropriate salon atmosphere, though the opening of "Carnaval" sounds odd with strings. Because of its placement in the storyline (and the use of Chopin's variations on its tune), "Là ci darem la mano" receives an odd interpretation, but Keenlyside's and Evans's skill and naturalness are winning. Another huge plus is Styler's warm, expressive delivery. With her wispy hair, vulnerable face and a faraway look in her eyes, Styler embodies the romantic, artistic spirit who rejoices in her soul mate; in passages detailing the end of Robert's life, Styler makes Clara's pain palpable. Sting's spiky, contemporary look is a bit of a jolt, but his connection to the material and identification with the obsessive, suffering composer are genuine. All the artists contributed their time to the project without remuneration; only Jacobi (whose presence undoubtedly signals "class") seems arch and distanced in his narration. Several bonus offerings include lengthy, round-table discussions in which the singers, instrumentalists and actors speak of how powerfully the interaction of words and music affected their interpretations and delivery. A thirty-five-minute lecture at the Robert Schumann Haus in Leipzig provides biographical details and background on the Schumanns' careers and training, as well as on their marriage and children. All proceeds from DVD sales benefit outreach projects of the Royal Opera House Education Programme. -- Opera News Online, Judith Malafronte, Decmber 2009 Like cucumber sandwiches at high tea, this depiction of the romance between two German musicians is a uniquely English confection. It follows in the tradition of BBC radio's dramatization of biographical presentations. In this case, the extended courtship and all-too-brief marriage is rendered with convincing fidelity through an enlightened blending of the spoken word and musical examples from the respective compositions of Robert Schumann and Clara Wieck. Nobly narrated by Derek Jacobi, the dialogue is ably conveyed by Sting (when will he, as an emerging musical polymath, be granted a knighthood so that his real name may enter common usage?) and Trudie Styler reading the lovers' correspondence compiled over decades. An unusual form of entertainment, but it kept a capacity audience in rapt attention over a long evening at Covent Garden. The singers and musicians give heartfelt support to the story with immaculate performances. The set includes close to two hours of extra features. It is also available from Opus Arte on conventional DVD format. Highly recommended to admirers of the Schumanns and all collectors with a special interest in German music of the Romantic period. -- La Scena Musicale, October 2009 One of the most moving love stories in the world of music is the relationship between Robert and Clara Schumann. In 2007, the British producer David Caird put together a music theater piece called Twin Spirits at London's Covent Garden in which Derek Jacoby narrated the romantic and tragic story, with Sting and his wife Trudie Styler reading passages from Robert and Clara's letters and the remarkable diary they kept together in the first years of their marriage. Some excellent chamber musicians and singers punctuate the readings with excerpts from the works of both Robert and Clara. Twin Spirits tells the story of Robert Schumann coming to Leipzig to study with the renowned music teacher Friedrich Wieck. Wieck's daughter Clara was a piano prodigy, by far the most talented of his six children. Robert was nine years older than her. He lived with the Wiecks for a year. By the time Clara was in her mid teens, they had fallen in love. Wieck was violently opposed to this romance. Clara's career came first. He refused to permit the marriage and ultimately the two lovers went to court for permission. Clara was 21; Robert 30. Wieck eventually relented when the couple had the first of their eight children, only four of whom outlived their parents. Clara was much more famous than Robert, and traveled extensively giving recitals, which were admired by the greatest musical figures of the time. She inspired Robert -- the year before they were married, he wrote more than 100 of his greatest songs. And she helped further his career by playing his compositions. Robert Schumann suffered from periodic mental breakdowns; tragedy struck when he tried to drown himself. He was institutionalized, but Clara was forbidden to see him for more than two years, until he was actually dying. She spent the rest of her life giving concerts and performing her husband's music. In his musical selection, Twin Spirits producer/director David Caird is less concerned with chronology than with finding something appropriate for each part of the story. Purists might object to the way Caird has rearranged some of the original music for this production. But in this dramatic context, I find these new arrangements both tasteful and effective. Sting, we've come to know, has a serious interest in classical music; he's also a coolly expressive actor and reader. Trudie Styler is particularly affecting reading what Clara wrote during her final visits to Robert. The most disappointing element of Twin Spirits is the rather artificial narration by Derek Jacobi, an actor I usually admire. But the whole enterprise is a compelling and poignant retelling of the story, and the well-chosen and well-performed music make this an outstanding addition to the year celebration of Robert Schumann's bicentennial. -- NPR, Lloyd Schwartz, February 17, 2010 Sting has been taking ever braver leaps into the classical music world over the last few years. As someone who doesn't enjoy his singing, I heaved a sigh of relief that he is on speaking duty in this fascinating musical dramatization of the often difficult, artistically inspirational, romantically fulfilling relationship between composer Robert Schumann and Clara Wieck. Sting is Robert to Trudie Styler's Clara as they sit with narrator Derek Jacobi on the Covent Garden stage, surrounded by exceptional musicians, including tenor Simon Keenlyside, soprano Rebecca Evans and violinist Sergei Krylov. Excerpts from the lovebirds' letters are interwoven with Schumann's music (and a bit of Mozart and Chopin). Once you get into the slow, black-backdropped pace of the story, you come to appreciate what an amazing job director John Caird has done to make the 90-minute show absorbing. A second DVD has more than an hour of extras, including background interviews and a documentary. This is inventive classical programming at its best, though music purists might prefer to hear uncut versions of many of the pieces on the program. -- TheStar.com, John Terauds, November 17, 2009 This is an uncharacteristically small-scale production for writer-director John Caird, who is more closely associated with such spectacles as Les misérables and Nicholas Nickleby. It's a 90-minute account, through words and music, of the personal and professional relationship between Robert Schumann and his wife, née Clara Wieck, devised in 2005 for the education division of the Royal Opera House, Covent Garden, and since then trotted out for various fundraising events with different performer rosters. This version was recorded before a silent audience in late 2007. Despite the number of artists on stage, it seems quite intimate; the actors are low-key, and the musicians, while rising to the passions of the music as necessary (particularly in the finale of Robert's Piano Trio No. 1, which closes the program), are direct and obviously under no pressure to play to a large hall. Although the proceedings are conveyed mainly through close-ups and two- and three-shots, the placement of the performers is interesting and deliberate. In the center, to the rear, on what looks almost like a throne, Sir Derek Jacobi offers bits of introduction and narrative context. Down front, at opposite sides of the stage, sit the actors portraying the Schumanns: pop star Sting, who has always struck me as more intelligent and subtle than he is generally given credit for, and Trudie Styler, best known in America as Mrs. Sting, but in England an accomplished actress with (like Jacobi) a Shakespearean background. Clustered near each of the two main actors is a trio of musicians, divided by gender. On Robert's side are a baritone and a male violinist and pianist; on Clara's, a soprano and a female cellist and pianist. The musicians do not remain segregated all the time; obviously, there's crossover in the trio movement, and both singers deliver Mozart's "Là ci darem la mano," which was important in the Schumanns' personal history. There's also an arrangement of "Träumerei" that manages to include all the instrumentalists. But for the most part, each historical figure is represented by his or her own group of musicians. As you might have guessed, the music comes in bits and pieces, mostly songs and instrumental miniatures (by both Robert and Clara), but for the most part each item is complete in itself and only occasionally, mainly in the beginning, do the actors talk over the music. The spoken lines are drawn from the Schumanns' letters; Caird has heavily edited them and mingled missives from various periods to create a coherent narrative. This overall approach will obviously not satisfy purists who seek an impartial documentary account of the Schumanns, nor music lovers who prefer to hear song cycles and chamber works in their entirety. But that's not the point of this project; it's an introduction to the general, intelligent, curious music lover of the personalities behind this music, and to Clara's essential role in Robert's life and career. If Sting and Styler, sometimes reading from scripts but often looking straight into the camera, don't fully convey the excitement of early love, they are very good at communicating the comfortable intimacy, affection, and mutual respect of an old married couple. Perhaps each is best when not speaking; they can communicate quite a lot in the cutaway shots of one watching the other deliver lines, or in listening to the musicians (who are also seen being quietly attentive during some of the spoken passages). The musical performances are quite good, even if Simon Keenlyside, like most baritones, finds Schumann's top notes taxing. Those requiring a more straightforward documentation of the Schumann situation may prefer the 35-minute documentary in which a curator from the Schumann House museum and archive speaks, in subtitled German, about their marriage and careers, repeating some material from the stage presentation but elaborating on other issues. There's also a surprisingly engaging series of chats with Caird, the performers, and musicologist Daniel Gallagher about the Schumanns and their music. Gallagher's contributions are especially good, even for non-specialists, and while the actors don't have much of substance to contribute, they do at least chime in with the occasional smart observation and perceptive question. The Blu-ray video quality is, as usual, superb, although there's nothing more technically challenging here than maintaining clarity on a rather dark stage. The aspect ratio is 16:9, and the audio options are limited to PCM 2.0 and 5.0. Subtitles are available for the songs and the German documentary. Old hands at this subject may feel that its treatment here is too superficial, but take this for what it is: an educational entertainment designed to introduce the Schumanns' music and cobiography to the uninitiated without insulting their intelligence. "Twin Spirits" surely succeeds on those grounds, most touchingly. -- Fanfare, James Reel, Mar-Apr 2010 Twin Spirits is a live theatrical performance that features narration, impersonation (in an epistolary manner), and chamber music centered on the lives and love of Robert and Clara Schumann. Evidently the work, created and directed by John Caird, toured in smaller venues before being presented at the Royal Opera House. It is indeed a unique experience, the letters of the Schumann's used as the basis for a story of their lives, dramatized here to excellent effect, and enhanced by their music. One can think of no more worthy subjects than these two hyper-romantic figures, celebrated in their day and long afterwards, with personal connections tying them into the fortunes and foibles of Brahms, Liszt, Mendelssohn, Joachim, and Chopin. Their love story is one that was well known even in their own day, and their passion for one another is marked only by the equal degree of tragedy and sorrow that graced their short time together. I will not dwell on aspects of that story here, as it is well known, and if unknown easily found in books and on the Web. Suffice it to say, the story begins with Robert's first studies with Clara Wieck's father (Robert was essentially self-taught), his aspirations as a pianist until he ruined his hands, his solicitation of love from Clara and desire to marry her (against her father's wishes), the frustration they experienced until they could get married, early bliss in their marital life and the success of each, Robert's seminal decline and mental instability, Clara's heartrending final years with Robert in an asylum, and her life after Robert's death. All of this seems like it might be too much for a stage production, but the letters have been carefully vetted in order to keep the action--such as it is--moving along. The story is given general guidelines by Derek Jacobi--superb as usual--and the parts of Robert and Clara taken by Sting and wife Trudie Styler. This might seem an odd choice at first, but Sting seems to have had a late-in-life classical-music conversion (remember his Dowland record?), and his performance as Robert is outstanding, as seasoned as from any actor I can imagine playing the part. Trudie Styler is equally affecting, and her moment of breakdown towards the end is truly distressing. But this is not a play at all--there is no dramatic movement or stage acting. Most of the time, Sting and Trudie are seated close to one another, and they often lean towards each other when speaking. Jacobi is seated pretty much center stage, and they all can be seen watching each other. Interspersed among the talkers are a series of musicians, an all-male group (baritone, violin, piano) on Robert's side, and a female group (soprano, cello, piano) on Clara's side. At different times in the "action," the music of one of the Schumanns is played by one of these groups, or a portion of each. For the most part, the performances are excellent, the singing of Simon Keenlyside being notable, along with the last selection, the Finale from the D-Minor Piano Trio, op. 63, a real barnburner and triumphant ending to an otherwise factual human misfortune that nonetheless had moments of supreme joy. But its protagonists were certainly as star-crossed as Romeo and Juliet ever were. If there is a downside, it would be the lack of more representative music on Robert's part. The very nature and intimacy of this production nixes the idea of large ensemble performances, but one feels like part of the emotional picture is missing without them. Some of the music has been doctored or altered, nothing egregious, but odd sounding to those who know it. This was probably unavoidable in order to make the music portion fuller while using only chamber pieces. The songs are what they are, and there are a few pieces pertinent to the Schumanns at certain times that are by other composers. The staging is wonderful, making it easy to follow what is happening; the sound is equally pleasing, LPCM stereo or DTS surround (my choice). The music however, is only secondary to the engrossing tale, and is chosen wisely to enhance the story where the words end. As bonuses, we get a substantial amount, the cast talks and the documentary being of more than casual interest. I enjoyed this thoroughly, and I can't imagine any music lover who wouldn't. -- Fanfare, Steven E. Ritter, Jan/Feb 2010 Top About this item Similar From the Brand Reviews Twin Spirits: Sting performs Schumann [Blu-ray]

Release: June 26, 2018

$6.99

Description

A faithful wife (Oscar nominee Taraji P. Henson) tired of standing by her devious husband is enraged when it becomes clear she has been betrayed.

Release: January 30, 2018

$6.99

Description

Madea and the gang are back for this hilarious sequel. Madea, Bam and Hattie venture to a haunted campground and the group must literally run for their lives when monsters, goblins and the bogeyman are unleashed.

Release: January 31, 2017

$6.99

Description

Madea winds up in the middle of mayhem when she spends a hilarious, haunted Halloween fending off killers, paranormal poltergeists, ghosts, ghouls, and zombies while keeping a watchful eye on a group of misbehaving teens.

Release: June 4, 2024

$6.99

Description

Winner of the Grand Prix at the first Tokyo International Film Festival in 1985, Typhoon Club is widely regarded as the seminal film of director Shinji Somai's career. A work of raw, elemental power, it follows an ensemble of junior high students in a provincial town, beset by a summer-y malaise as a typhoon looms. When the storm makes landfall, the teens find themselves holed up in their school unsupervised, while another classmate (Yuki Kudo) disappears alone on a harrowing trek to the big city. Set adrift in a world suddenly unmoored, the students let loose their pent-up angst and burgeoning passions in a series of propulsive, phantasmic scenes-part apocalypse, part utopia-as the deluge rages on into the night. Observed in daring long takes, director Somai gives material form to the students' turbulent inner lives. When day breaks and the rains let up, the youngsters open their eyes to a world in ruins-or a world renewed. The 10th best Japanese film of all time, according to Japan's Kinema Junpo poll. Top About this item Similar From the Brand Reviews Typhoon Club (4K ULTRA HD + Blu-ray) [4K UHD]

Release: June 4, 2024

$7.99

Description

Winner of the Grand Prix at the first Tokyo International Film Festival in 1985, Typhoon Club is widely regarded as the seminal film of director Shinji Somai's career. A work of raw, elemental power, it follows an ensemble of junior high students in a provincial town, beset by a summer-y malaise as a typhoon looms. When the storm makes landfall, the teens find themselves holed up in their school unsupervised, while another classmate (Yuki Kudo) disappears alone on a harrowing trek to the big city. Set adrift in a world suddenly unmoored, the students let loose their pent-up angst and burgeoning passions in a series of propulsive, phantasmic scenes-part apocalypse, part utopia-as the deluge rages on into the night. Observed in daring long takes, director Somai gives material form to the students' turbulent inner lives. When day breaks and the rains let up, the youngsters open their eyes to a world in ruins-or a world renewed. The 10th best Japanese film of all time, according to Japan's Kinema Junpo poll. Top About this item Similar From the Brand Reviews Typhoon Club (4K ULTRA HD + Blu-ray) [4K UHD]

Release: March 12, 2019

$6.99

Description

Tyler (Jason Mitchell, Straight Outta Compton) joins his friend on a trip to the mountains for a weekend birthday party with several people he doesn’t know. As soon as they get there, it’s clear that he’s the only black guest, or minority for that matter, and it’s going to be a weekend of heavy drinking. Although Tyler is welcomed, he can’t help but feel uneasy around a close-knit group of white guys. The combination of all the testosterone and alcohol starts to get out of hand, and a precarious situation starts to feel like a nightmare.

Release: November 1, 2016

$7.99

Description

In a Roman shantytown, a selfish patriarch and his sprawling family claw for money, survival, and dignity in Ettore Scola’s savage black comedy.

Release: November 19, 2019

$6.99

Description

From Jean-Pierre Melville, the legendary director of Bob Le Flambeur, Le Doulos, Le Deuxième Souffle and Le Cercle Rouge comes this action-packed neo-noir. A Paris police chief (Alain Delon, The Sicilian Clan) discovers that his nightclub owner friend (Richard Crenna, First Blood) also leads a group of bank robbers. When he’s tipped off that the same robbers are planning a drug heist, the police chief races to defeat his two-faced friend. Meanwhile, the police chief has engaged in some double-crossing himself—by sharing the same woman (Catherine Deneuve, Mississippi Mermaid) with the man he calls his friend. Melville’s last film plays beautifully with all his trademark silences, grim faces and gloomy colors, featuring stunning photography by the great Walter Wottitz (Army of Shadows, The Train). The top-notch cast includes Michael Conrad (The Longest Yard), Riccardo Cucciolla (Sacco & Vanzetti) and Jean Desailly (The Soft Skin). Special Features: -NEW Audio Commentary by Film Historian Samm Deighan -Interviews with Jean-Francois Delon (Alain's brother) and Florence Gabin (Jean's daughter) -In the Mood for Melville (57:59) -Theatrical Trailer

Release: February 28, 2023

$7.99

Description

Residents of a small Australian town battle ravenous zombies and a strange extraterrestrial force after a meteor shower unleashes chaos.

Release: June 23, 2026

$7.99

Description

An undertaker and his two friends, who are restaurant owners, drum up business by going out on the town and killing people. The restaurant owners use parts of the bodies for their menu, and the undertaker gets paid by the families to bury the leftovers.

Release: January 28, 2025

$7.99

Description

Retrieving the diamonds he stashed before his arrest, thief Miyamoto hopes to help his old partner Mihara, crippled during the heist. Their former boss, crime lord Oyane, offers to mediate with a foreign buyer, but secretly wants the stones for himself. The deal goes awry when gunmen appear on the scene. Mihara swallows the diamonds but dies in the chase, leaving a valuable corpse in the police morgue. Miyamoto forms an uneasy alliance with Mihara's wildcat sister Akiko to keep the gems away from gangsters, cops and even Akiko's greedy boyfriend. This wildly inventive early noir sees Seijun Suzuki (Branded to Kill, Tattooed Life) infectiously playing with genre rules and gender stereotypes. SPECIAL FEATURES New 4K restoration of the film by Nikkatsu Corporation Uncompressed mono PCM audio New interview with critic Mizuki Kodama (2024, 15 mins) Bonus feature: Seijun Suzuki’s Love Letter (1959, 40 mins) Audio commentary on Love Letter by Suzuki biographer William Carroll (2024) Trailers Newly improved English subtitle translation Reversible sleeve featuring original and newly commissioned artwork by Time Tomorrow Limited edition booklet featuring new writing by critic Claudia Siefen-Leitich and an archival review of the film

Release: October 16, 2018

$6.99

Description

When a 20-something finds a cache of hidden files on his new laptop, he and his friends are unwittingly thrust into the depths of the dark web. They soon discover someone has been watching their every move and will go to unimaginable lengths to protect the dark web. Unfolding in real-time, Unfriended: Dark Web is the most terrifying horror yet from the producer of Unfriended, Happy Death Day, and The Purge. Bonus Content: Includes a digital copy of Unfriended: Dark Web (Subject to expiration. Go to NBCUCodes.com for details.) Features 3 Killer Alternate Endings – Who Deserves To Live? · Matias · Amaya · Both *Please note that the feature film on disc and on digital copy may differ from version seen in theaters.

Release: August 26, 2025

$7.99

Description

In 1870s Montana, Henry Broadway must avenge his father’s wrongful execution by killing the man who framed him. He heads to the lawless town of Trinity, where he’s trapped between the sheriff, Gabriel Dove (Pierce Brosnan), and the enigmatic St. Christopher (Samuel L. Jackson). As secrets and danger unravel, Henry fights to survive and uncover the truth in this high-stakes action-packed western.

Release: May 26, 2009

$7.99

Description

A grieving teen suspects her new stepmother is hiding deadly secrets after leaving a psychiatric clinic.

Release: January 22, 2019

$7.99

Description

An Irish immigrant in South Africa becomes embroiled in frontier conflict, war and romance as his life unfolds against the backdrop of colonial expansion and unrest.

Release: July 4, 2023

$7.99

Description

After his wife is killed during a brutal mugging that also leaves him paralyzed, Grey Trace (Logan Marshall-Green, Spider-Man: Homecoming, Prometheus) is approached by a billionaire inventor with an experimental cure that will "upgrade" his body. The cure—an artificial intelligence implant called STEM—gives Grey physical abilities far beyond anything he's ever experienced…and the capacity to relentlessly claim vengeance against those who murdered his wife and left him for dead. Upgrade is a thrilling and hyper-violent vision of the future from the producer of M3GAN and Get Out, and the co-creator of Saw and Insidious. Bonus Content: 2023 4K Master in Dolby Vision (HDR-10 Compatible) Audio Commentary with Writer/Director Leigh Whannell 2023 4K Master Not Action. Not Sci-Fi. More: An Interview with Writer/Director Leigh Whannell Permission Granted: An Interview with Producer Kylie Du Fresne Future Noir: An Interview with Cinematographer Stefan Duscio Hacking Upgrade: An Interview with Editor Andy Canny The Art of Fighting Without Fighting: An Interview with Fight Choreographer Chris Weir Theatrical Trailer

Release: November 21, 2017

$8.99(Not Free for Subscribers)

Description

Product Description The adventures of time-traveling agent, Valerian, and his sidekick, Laureline. Review Special Features: Citizens of Imagination: Creating the Universe of Valerian (multi-part documentary) Enhancement Pods The Art of Valerian Photo Gallery Teaser Trailer Final Trailer --Lionsgate

Release: November 21, 2017

$7.99

Description

Product Description The adventures of time-traveling agent, Valerian, and his sidekick, Laureline. Review Special Features: Citizens of Imagination: Creating the Universe of Valerian (multi-part documentary) Enhancement Pods The Art of Valerian Photo Gallery Teaser Trailer Final Trailer --Lionsgate

Release: November 21, 2017

$6.99

Description

Product Description The adventures of time-traveling agent, Valerian, and his sidekick, Laureline. Review Special Features: Citizens of Imagination: Creating the Universe of Valerian (multi-part documentary) Enhancement Pods The Art of Valerian Photo Gallery Teaser Trailer Final Trailer --Lionsgate

Release: September 27, 2016

$7.99

Description

Cutthroat careerism, wild sex, and fierce female protagonists are all on offer in this adaptation of Jacqueline Susann s sensational and wildly popular novel. Patty Duke (The Miracle Worker), Barbara Parkins (Peyton Place), and Sharon Tate star as three friends attempting to navigate the glamorous, pressurized world of big-time show business the valley is not a place but a narcotized state of mind, and the dolls are the pills that rouse them in the morning and knock them out at night. Blending old-fashioned gloss with Madison Avenue grooviness, this slick look by director Mark Robson (Peyton Place) at the early days of sexual liberation and an entertainment industry coming apart was a giant box-office hit and has become an unforgettably campy time capsule of the 1960s. BLU-RAY SPECIAL EDITION FEATURES - New 2K digital restoration, with 3.0 LCR DTS-HD Master Audio soundtrack - Audio commentary from 2006 featuring actor Barbara Parkins and journalist Ted Casablanca - New interview with author Amy Fine Collins about author Jacqueline Susann and the film - New video essay by critic Kim Morgan - Footage of Marc Huestis Presents Sparkle Patty Sparkle!, a 2009 gala tribute to actor Patty Duke at the Castro Theatre in San Francisco - A World Premiere Voyage and Jacqueline Susann and Valley of the Dolls, two promotional films from 1967 - Archival interviews - Trailers and TV spots - More! - PLUS: An essay by film critic Glenn Kenny