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Release: July 7, 2015

$6.99

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Cell, The (Blu-ray) In this science fiction thriller, child psychiatrist Catherine Deane (Golden Globe-nominee Jennifer Lopez “Selena,” “Maid in Manhattan”) has developed a technique that allows her to travel through the minds of her patients. When Stargher (Emmy Award-nominee Vincent DOnofrio TV's "Law & Order: Criminal Intent," “Full Metal Jacket”), a serial killer who methodically drowns his victims and performs bizarre rituals with their bodies, falls into a coma, FBI agent Peter Novak (Vince Vaughn “Wedding Crashers,” “Dodgeball: A True Underdog Story”) asks Deane to enter the killers psyche in hopes of finding the location of a missing girl whom Stargher has kidnapped and, if she isn't found soon, will drown in her torture cell. However, once Deanne enters the bizarre world of Starghers mind, she finds getting out being a very difficult matter.

Release: July 14, 2015

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CELLAR DWELLER The promising career of a horror comic book artist ends in a fiery death when he confronts the bloody carnage of his own imagination in his studio. Years later, an ardent devotee of the artist’s work becomes a resident in his house, now an art academy, unaware that her imagination has revived the grotesque murderer of the past...and that she may be the next victim. CATACOMBS For over 400 years, the curse of the Abbey at San Pietro was kept a secret. Buried deep beneath the monastery lies the Beast of the Apocalypse. The power of evil is unleashed when an American priest and a beautiful young schoolteacher uncover the unholy terror of a diabolical spell cast centuries ago. Now, it will take the ultimate sacrifice to stop the curse that will not be denied.

Release: January 9, 2024

$6.99

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Your next phone call may be your last… The Cold War gets hot as master of action & violence Don Siegel (Dirty Harry) presents Telefon, a thriller of international intrigue. Telefon (a KGB codename for a chilling Soviet plan to blow key US military targets clear off the map) stars Charles Bronson, Lee Remick and Donald Pleasence as hard-nosed players in a hot-and-cold game of spy vs. spy. Hatched years ago during the icy Stalin era, the scheme enlists top Soviet agents—drugged, hypnotized, planted across America, and so secret that they don't know themselves that they're programmed to blow! The plan had been officially scrapped, but now someone is triggering the explosions, and the Soviets must stop him dead. Charles Bronson is the one man able to head off nuclear collision, with the aid of his beautiful KGB colleague (Remick). Telefon is fast and explosive…and ringing with tension. Bonus Content: 2023 Scan from the Interpositive Theatrical Trailer

Release: May 28, 2024

$7.99

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It's been called "stylish and gruesome" (Washington Post), "grotesque and touching" (AV Club) and "an experience unlike any other" (Bloody Disgusting). Now this magnum opus by director Michele Soavi - "the best Italian horror film of the '90s" (Fangoria) - can be experienced fully restored in UHD for the very first time: Rupert Everett stars as cemetery watchman Francesco Dellamorte, tasked with dispatching the recently deceased when they rise from their graves. But when he falls in love with a beautiful young widow (Anna Falchi), will his resurrected lust for life become greater than his bond with death? François Hadji-Lazaro (THE CITY OF LOST CHILDREN) co-stars in the finest erotic romantic existential black comedy zombie gorefest of our time, with a Soavi-approved hd scan from the Cinecittà negative and over 3 hours of Special Features - including new interviews with Soavi and Everett. SPECIAL FEATURES: Audio Commentary By Director Michele Soavi And Screenwriter Gianni Romoli At The Graves - Interview With Michele Soavi Of Love And Death - Interview With Actor Rupert Everett She - Interview With Actress Anna Falchi Archival Making-Of

Release: May 28, 2024

$7.99

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THE WORLDWIDE UHD PREMIERE! 2-DISC COLLECTION INCLUDES 3+ HOURS OF SPECIAL FEATURES!

Release: June 28, 2016

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Product Description Soldiers with a mysterious sleeping sickness are transferred to a temporary clinic in a former school. The memory-filled space becomes a revelatory world for housewife and volunteer Jenjira, as she watches over Itt, a handsome soldier with no family visitors. Jen befriends young medium Keng who uses her psychic powers to help loved ones communicate with the comatose men. Doctors explore ways, including colored light therapy, to ease the mens' troubled dreams. Jen discovers Itt's cryptic notebook of strange writings and blueprint sketches. There may be a connection between the soldiers' enigmatic syndrome and the mythic ancient site that lies beneath the clinic. Magic, healing, romance and dreams are all part of Jen's tender path to a deeper awareness of herself and the world around her. Also includesMekong Hotel dir. Apichatpong Weerasethakul - 61 min. Shifting between fact and fiction in a hotel situated along the Mekong River, a film-maker rehearses a movie expressing the bonds between a vampiric mother and daughter. Bonus Features: Behind-the-Scenes Featurette Deleted Scenes Other Apichatpong Weerasethakul Trailers Original Theatrical Trailer Other Strand Trailers Stats: 1080p Widescreen 5.1 DTS-HD Master Audio In Thai with English Subtitles Review Like dreaming with your eyes wide open --The Hollywood Reporter 4 Stars! Cinema as the stuff dreams are made of --Slant Magazine The miracle of the cinema of Apichatpong Weerasethakul - amount our greatest living filmmakers --Reverse Shot

Release: August 16, 2016

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Hot off of her Best Actress Oscar nominated performance in The Sterile Cuckoo, Liza Minnelli embodies Junie Moon, the physically and emotionally scarred heroine in director Otto Preminger's (Such Good Friends) Tell Me That You Love Me, Junie Moon. Considered misfits by society, hospital mates Junie Moon (Minnelli, Cabaret), a victim of an acid attack that has scarred her face; Arthur (Ken Howard, Such Good Friends), an epileptic; and Warren (Robert Moore, TV's Diana), a gay paraplegic; set up house together in a rented property owned by the eccentric heiress Miss Gregory (Kay Thompson, Funny Face). Together the trio will face life's challenges, romantic entanglements and assorted adventures in the film version of the novel by Marjorie Kellogg, who adapted it for the screen. Directed by Otto Preminger, the film co-stars James Coco (Man of La Mancha, Such Good Friends), Fred Williamson (Hammer, Black Caesar) and?Leonard Frey (Fiddler on the Roof), and features a score composed by Philip Springer with Pete Seeger performing the opening & closing credits tune "Old Devil Time.".

Release: January 25, 2022

$7.99

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Enid Baines, a film screener at the BBFC, has earned an unsavory reputation for being the organization's strictest censors of violent films. Unexpectedly, Enid is contacted by Frederick North, a notorious director of exceptionally brutal, low budget horror movies, who has requested that she personally review his work for classification. While viewing one of North's films, Enid is struck by its narrative similarities to the disappearance of her own sister years earlier. But when she finds another of North's films which stars a woman who bares a striking resemblance to her sister, Enid's life begins spiraling out of control, sending her on a mysterious and terrifying journey into the dark and violent recesses of her past. The acclaimed feature film directing debut of Prano Bailey-Bond, CENSOR is a scathing indictment of Britain's notorious Video Nasty era, imagined as a horror film that's every bit as brutal and twisted as the Nasties themselves. Exquisitely photographed on 35mm by Annika Summerson and featuring an electrifying score by Emilie Levienaise-Farrouch, Vinegar Syndrome Pictures proudly presents CENSOR in its Blu-ray debut, with extensive bonus features including Bailey-Bond's earlier short film, NASTY. Bonus Features: 1. Commentary with director Prano Bailey-Bond and cinematographer Annika Summerson 2. Commentary with historian and author Kat Ellinger 3. Interview with director Prano Bailey-Bond and actress Niamh Algar 4. Interview with cinematographer Annika Summerson 5. Interview with editor Mark Towns 6. Interview with sound designer Tim Harrison 7. Interview with composer Emilie Levienaise-Farrouch 8. Short film NASTY directed by Prano Bailey-Bond 9. Video essay by Chris O'Neill 10. "My Nasty Memories" - a featurette with David Gregory on Video Nasties 11. "Ban the Sadist

Release: October 31, 2017

$6.99

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Product Description CENTER OF MY WORLD - Based on the bestselling novel by Andreas Steinhofen Official Selction: Outfest Los Angeles, Frameline, & Palm Springs Film Festivals After a summer away at camp, Phil returns home to find that his mother and twin sister aren't speaking to one another. Not willing to confront his family during the last days of the summer holidays, Phil escapes to hang out with his best friend, Kat, eating ice cream and playing dress-up. As the school year begins, a new student arrives - the handsome and mysterious Nicholas. Smitten, Phil watches his crush as he runs around the track after school, and is thrilled when Nicholas returns his feelings. However, when first love's volatility comes to light, Phil realizes he must deal with the problems of his past in order to deal with the issues of his present. Specs: 1080p HD Widescreen. 5.1 German DTS-HD Master Audio. Subtitles: English, English SDH, Spanish. Special Features: Newly Commissioned Anime-style Reversible Art. Foldout Poster - Limited to the first 1,000 copies. Original Trailer. Other Trailers. Review Mesmerizing! --The Hollywood Reporter Whimsical! --Filmdoo Voyeuristic! --Variety

Release: June 8, 2021

$7.99

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Product Description **GORGEOUS HD RESTORATION RELEASED FOR THE FIRST TIME EVER ON BLU RAY IN NORTH AMERICA** International superstar Maggie Cheung (In the Mood for Love) embodies tragic screen siren Ruan Lingyu, in this unconventional biopic by Hong Kong New Wave master Stanley Kwan (Rouge). Praised for her moving and emotive onscreen presence, Ruan’s private life, which was frequent fodder for the vicious Shanghai tabloids, began to mirror the melodramas which brought her fame, culminating in her suicide at age 24. Kwan and Cheung paint a kaleidoscopic yet intimate portrait of the ill fated actress, deftly blending lush period drama, archival footage, and metatextual documentary sequences of Cheung reflecting on Ruan’s legacy. The result is, much like the films of Ruan Lingyu themselves, “tender, vivid and almost overwhelmingly moving” (Time Out). Bonus features include, Stanley Kwan 2021 Introduction, Stanley Kwan Interview, Hong Kong Cinema Expert Paul Fonoroff Interview, Booklet with new essay by Aliza Ma, Programmer of The Metrograph Theatre Review Winner - Silver Bear, Best Actress - Berlin Int'l. Film Festival Winner - Silver Hugo, Best Director - Chicago Int'l. Film Festival Winner - Silver Hugo, Best Actress - Chicago Int'l. Film Festival Winner - Best Cinematography - Golden Horse Film Festival Winner - Best Leading Actress - Golden Horse Film Festival Winner - Special Jury Award - Golden Horse Film Festival Winner - Best Cinematography - Hong Kong Film Awards Winner - Best Art Direction - Hong Kong Film Awards - --- One of the indisputably great Chinese works of the past decade and Kwan's most thrilling, concentrated and dazzling achievement. - Patrick Z. McGavin, Chicago Tribune [Center Stage's] radical break with traditional narrative structure, all the more striking in that it emerges from one of the most commercial industries in the world, is clear evidence of the challenge the new wave directors such as Kwan and his contemporaries Wong kar-wai and Ann Hui, were issuing to the Hong Kong film industry rooted in generic formulas and visual titillation. Like a Chinese box, the film’s various layers slip inside one another, the parts resonating through the whole and interacting in complex and innovative ways. - Dean Bowman, Eye for Film A masterpiece by Stanley Kwan, the greatest Hong Kong film I’ve seen. - Jonathan Rosenbaum Tender, vivid and almost overwhelmingly moving. --Time Out The self-aware drama moves at the hypnotic pace of an elusive dream―above all, in spectacularly staged musical scenes, set in a night club, merging sinuous and languid dances with high-stakes emotional battles. - Richard Brody, The New Yorker [I]n his 1991 masterpiece, Center Stage, Stanley Kwan turns what could easily be dismissed as postmodern gimmickry into something strange and unclassifiable, an ever-shifting framework that refracts almost every biographical insight the movie puts forth. - Andrew Chan, Four Columns An overwhelmingly moving tribute to the popular Hong Kong actress Ruan Ling-yu of the 1930s. Grade: A - Dennis Schwartz, Ozus' World Movie Reviews Center Stage has justifiably earned its reputation as a classic of the Hong Kong New Wave. --Tony Williams, Senses of Cinema Top Similar From the Brand Reviews Center Stage

Release: December 13, 2016

$7.99

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The American Ballet Company is not for the fainthearted, it's for the most gifted and beautiful ballet dancers alive. But you'll need more than mere physical prowess and determination to succeed. You'll need to deliver the goods at CENTER STAGE. Jonathan Reeves (Peter Gallagher, American Beauty), the ballet company's owner is evaluating this young tight-knit group of students as they face the growing pains of their ambitions, romances and heartbreaks which prove to be both invigorating and difficult. The results are a celebration of beauty, bodies, and ballet.

Release: February 23, 2021

$6.99

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Inspired by real events, this harrowing film follows a young American couple, Matt and Naomi, as they travel through the Arctic mountains of Norway. After pulling over during a snowstorm, they wake up trapped in their SUV, buried underneath layers of snow and ice. As if the stakes aren't high enough for the pair, Naomi is eight months pregnant as they contemplate how to escape their frozen prison.With few resources, a dwindling food supply, and nothing but time, the couple endure mounting tension, blame, and personal secrets bubbling to the surface. Matt and Naomi realize they must work together to survive in a crippling battle against the elements, hypothermia, disturbing hallucinations, and plunging temperatures reaching far below zero. Will they make it out of this alive? Bonus Content: Trailer

Release: September 27, 2016

$6.99

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Central Intelligence (4K Ultra HD + Blu-ray) The story follows a one-time bullied geek who grew up to be a lethal CIA agent (Dwayne Johnson), coming home for his high school reunion. Claiming to be on a top-secret case, he enlists the help of the former “big man on campus” (Kevin Hart), now an accountant who misses his glory days. But before the staid numberscruncher realizes what he’s getting into, it’s too late to get out, as his increasingly unpredictable new friend drags him through a world of shootouts, double-crosses and espionage that could get them both killed in more ways than he can count.

$6.99

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This documentary revisits the wrongful convictions of five Black and Latino teenagers in the notorious Central Park jogger case.

Release: March 14, 2017

$6.99

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Newly Mastered in HD! You can run, but you can t hide! Oscar winners Tatum O Neal (Paper Moon, Little Darlings) and Irene Cara (Fame, City Heat) play Scarlet and Tracy. The girls are caught in a brutal escapade of mistaken identity, accused of a crime they did not commit. In a melee of carnage, the two girls mistaken for gun-toting killer-hookers are hustled and hassled and pursued by cops hell-bent on revenge and hot-tempered hoodlums with killer instincts alike. In their efforts to save themselves, they trip through the criminal scene of junkies, prostitutes, pushers and hoods a world where dirty deals go down and nobody wins. The stellar supporting cast includes Peter Fonda (Easy Rider, Ulee s Gold), Moses Gunn (Ragtime, Shaft), Nicholas Campbell (Da Vinci s Inquest, Rampage) and George Murdock (Elder #2 of The X-Files). Directed by Stephen Gyllenhaal (Paris Trout, A Killing in a Small Town).

Release: May 22, 2012

$6.99

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The great Iranian director Abbas Kiarostami (Close-up) travels to Tuscany for a luminous and provocative romance in which nothing is as it appears. What seems at first to be a straightforward tale of two people played by Oscar-winning actress Juliette Binoche (Blue) and opera singer William Shimell getting to know each other over the course of an afternoon gradually reveals itself as something richer, stranger, and trickier: a mind-bending reflection on authenticity, in art as well as in relationships. Both cerebrally and emotionally engaging, Certified Copy (Copie conforme) reminds us that love itself is an enigma.

Release: July 22, 2014

$6.99

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From Lionsgate and Pantelion Films. CESAR CHAVEZ chronicles the birth of a modern American movement led by famed civil rights leader and labor organizer, Cesar Chavez. Torn between his duties as a husband and father and his commitment to bringing dignity and justice to others, Chavez embraced non-violence as he battled greed and prejudice in his struggle for the rights of farm workers. His triumphant journey is a remarkable testament to the power of one individual's ability to change the system.

Release: June 15, 2021

$6.99

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Matt Brennan knows how to open eyes to the potential of the experimental jet, the JA-3. He'll pilot it from Nome over the North Pole to Washington DC and land it on the Pentagon's lap. The distance is beyond the JA-3's tested range. Nor can the craft provide the pressurization needed for flight at 80,000 feet. But Brennan has some modifications in mind. And the courage to put them to the test. Humphrey Bogart plays Brennan in Chain Lightning's lofty mix of adventure and romance. Eleanor Parker, as a World War II flame who reenters Brennan's life, helps fuel the romance. And the adventure takes wing with a story that, like Breaking the Sound Barrier, The McConnell Story and other postwar films, taps into the era's fascination with jet aviation. Cleared for takeoff.

Release: January 2, 2019

$6.99

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Tell Them Willie Boy Is Here is a modern western classic based on the true story of a Pauite Indian named Willie Boy (Robert Blake, Busting, In Cold Blood) and his bride Lola (Katharine Ross, The Graduate, The Stepford Wives), who become the objects of the last great western manhunt after Willie Boy kills Lola’s father in a “marriage by capture.” The manhunt, led by Sheriff Christopher Cooper (Robert Redford, Legal Eagles, The Sting), turns into a media circus when President Taft comes to visit the area and a mishap becomes twisted by the newspapers of the day. Released in 1969, Tell Them Willie Boy Is Here was a triumph for Redford and was called by Time Magazine, “A subtle, intense document of racial persecution that stands as one of the finest films of the year.” Written and directed by formerly blacklisted Abraham Polonsky (Force of Evil) and featuring stunning on-location cinematography by the great Conrad Hall (Butch Cassidy and the Sundance Kid). The wonderful cast includes Susan Clark (Valdez Is Coming), Barry Sullivan (Planet of the Vampires), John Vernon (The Outlaw Josey Wales) and Charles McGraw (The Narrow Margin). Special Features: -NEW Audio Commentary by Actor/Filmmaker Pat Healy and Film Historian Jim Healy -Theatrical Trailer

Release: December 2, 2025

$7.99

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MONTY PYTHON meets THE TEXAS CHAINSAW MASSACRE...CHAINSAWS WERE SINGING is a zany, gonzo, blood-soaked musical about lovers split up by a chainsaw-wielding killer. Over a decade in the making, this colorful murder-fest is part gory horror movie and part ridiculous musical. Incredible Bonus Features: Deleted Scenes / B-Roll Shots / Three Short Films from the Director / Bloopers Original Soundtrack: 12 Songs from the film Crowd Reaction Recordings from Festival Screenings Writer/Director / Producer Commentary Drunken Commentary with Writer/Director, Producers, and Tequila Aspect Ratio: 2:40 1080 High Definition Chainsaws were singing CHAINSAWS WERE SINGING ~ BLU-RAY Top Similar From the Brand Reviews Chainsaws Were Singing

Release: July 16, 2019

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For their final film together following The Guns of Navarone (1961), Cape Fear (1962) and Mackenna’s Gold (1969), star Gregory Peck and director J. Lee Thompson team for the high-stakes espionage thriller The Chairman (1969). Securing a game-changing agricultural enzyme formula is the goal for a Nobel Prize-winning professor (Peck) visiting Communist China where, equipped with an implanted transmitter, he will meet scientists and the titular Chairman Mao himself. Also placed inside him: an explosive device to be triggered in case of failure. Written for the screen by Ben Maddow (The Asphalt Jungle) and scored by the peerless Jerry Goldsmith.

Release: June 22, 2021

$6.99

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Product Description 8 BLU-RAY COLLECTION FEATURING 5 CLASSIC EUROPEAN FILMS, A TV ANTHOLOGY, DISC OF RARE INTERVIEWS + BOOK & SOUNDTRACK CD He remains one of the most beloved horror/fantasy icons in US/UK pop culture history, but Christopher Lee delivered several of the most compelling, acclaimed and bizarre performances of his entire career in 1960s Europe. THE EUROCRYPT OF CHRISTOPHER LEE brings together five of these Lee classics - the 1964 gothic shocker CRYPT OF THE VAMPIRE; the 1964 cult hit CASTLE OF THE LIVING DEAD co-starring an unknown Donald Sutherland; 1962's celebrated SHERLOCK HOLMES AND THE DEADLY NECKLACE; 1967's lurid favorite THE TORTURE CHAMBER OF DR. SADISM and the rarely-seen 1963 oddity CHALLENGE THE DEVIL - with the 24 surviving episodes of the 1971 Film Polski anthology series THEATRE MACABRE hosted by Lee, all remastered from original negative materials with over 10 hours of trailers, rare promos, audio commentaries & vintage interviews, plus the CASTLE OF THE LIVING DEAD soundtrack and an all-new 88-page book by Lee biographer Jonathan Rigby. DISC 1: Audio Commentary with Mondo Digital's Nathaniel Thompson & Film Writer Troy Howarth; Audio Commentary with Film Writer Kat Ellinger; From The Castle To The Academy – Interview with Master Producer Paul Maslansky DISC 1 Continued: The Castle Of The Mystery Man – Roberto Curti, Author of 'Mavericks of Italian Cinema,' on Writer / Director Warren Kiefer + CD Soundtrack DISC 2: Dance With The Devil – Interview with Roberto Curti, Author of 'Mavericks of Italian Cinema'; The Importance Of Being Giorgio – Interview with Giorgio Ardisson Over Two Decades; Trailer DISC 3: Trailer DISC 4: Audio Commentary with Film Writers Kim Newman & Barry Forshaw DISC 5: Promo with Christopher Lee DISC 7: Audio Commentary by Mondo Digital's Nathaniel Thompson and Film Writer Troy Howarth; Audio Interview with Actress Karin Dor (German with English subs); Location Featurette; Theatrical Trailer (German); Teaser Trailer DISC 7 Continued: Die Schlangengrube - Die Burg des Grauens – German Super 8 Digest Short; Die Schlangengrube des Grafen Dracula – German Super 8 Digest Short; Poster Gallery; Behind the Scenes Still Gallery; Restoration Slideshow DISC 8: HORROR!!! 1964 Swiss Documentary Short by Pierre Koralnik Featuring Interviews; Behind The Mask – Christopher Lee Remembers Boris Karloff; Colin Grimshaw Interviews Christopher Lee in 1975 DISC 8 Continued: 1985 Audio Interview with Christopher Lee, Accompanied by stills from The Del Valle Archive & Video Introduction with David Del Valle; Monsters & Vampires – Interview with Pioneering Horror Movie Historian Alan Frank DISC 8 Continued: The Crypt Keepers – Making of CRYPT OF THE VAMPIRE with Screenwriter Ernesto Gastaldi, Assistant Director Tonino Valerii and Film Historian Fabio Melelli; 'It's Now Or Never' & 'She'll Fall For Me' Christopher Lee & Gary Curtis DISC 8 Continued: Outtakes from TO THE DEVIL... A DAUGHTER / THEATRE OF DEATH 2001 DVD interview session covering the most frightening films ever, BLACK MASSES, POLICE ACADEMY 7 & More (15 mins) DISC 8 Continued: University College Dublin 2011 Q&A with Sir Christopher Lee This Box Set includes an all-new 88-page book by Lee biographer Jonathan Rigby. Each Blu-Ray disc is packaged separately along with a brand new book, all housed inside a sturdy chipboard splitcase box. DISC 9: Original Soundtrack CD The Castle of the Living Dead DISC 8 Continued: featuring interviews with Lee, Boris Karloff, Vincent Price, Roy Ashton, Roger Corman and behind-the-scenes footage of THE GORGON and MASQUE OF THE RED DEATH. DISC 1: The Castle of the Living Dead, Directors: Warren Kiefer, Luciano Ricci, Year: 1964, Runtime: 90 mins, Rating: 16+, Audio: English Mono, Aspect Ratio: 16x9 Widescreen, Country of Origin: Italy, France DISC 2: Challenge the Devil, Director: Vegezzi, Year: 1963, Runtime: 79 mins, Rating: 16+, Audio: Italian Mono/ English subtitles, Aspect Ratio: 16x9 Widescreen, Country of Origin: Italy DISC 3: Crypt of the Vampire, Director: Camillo Mastrocinque, Year: 1964, Runtime: 85 mins, Rating: 16+, Audio: English & Italian Mono, Aspect Ratio: 16x9 Widescreen, Country of Origin: Italy, Spain DISC 4: Sherlock Holmes and the Deadly Necklace, Director: Terence Fisher, Year: 1962, Runtime: 86 mins, Rating: 16+, Audio: English & German Mono, Aspect Ratio: 16x9 Widescreen, Country of Origin: West Germany, France, Italy DISC 5: Theatre Macabre, Directors: various, Year: 1971-1972, Runtime: 305 mins, Rating: 16+, Audio: English Mono, Aspect Ratio: 4x3, Country of Origin: Poland DISC 6: Theatre Macabre, Directors: various, Year: 1971-1972, Runtime: 305 mins, Rating: 16+, Audio: English Mono, Aspect Ratio: 4x3, Country of Origin: Poland DISC 7: The Torture Chamber of Dr. Sadism, Year: 1967, Runtime: 84 mins, Rating: 16+, Audio: English & German Mono, Aspect Ratio: 16x9 Widescreen, Country of Origin: West Germany DISC 8: Relics from the Crypt - a collection of interviews with Christopher Lee over the years and other related horror featurettes, including the first ever release of the recently unearthed 20 minute 1964 Swiss TV documentary 'HORROR!!!' Review From Dracula to Jedi master, Bond villain to a Metal god, Christopher Lee's 70-year career was rich, varied and often, pretty weird. --The Guardian

Release: July 9, 2024

$6.99

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From visionary filmmaker Luca Guadagnino, Challengers stars Zendaya as Tashi Duncan, a former tennis prodigy turned coach and a force of nature who makes no apologies for her game on and off the court. Married to a champion on a losing streak (Mike Faist – West Side Story), Tashi’s strategy for her husband’s redemption takes a surprising turn when he must face off against the washed-up Patrick (Josh O’Connor – The Crown) – his former best friend and Tashi’s former boyfriend. As their pasts and presents collide, and tensions run high, Tashi must ask herself, what will it cost to win.

Release: November 13, 2018

$6.99

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Chris O’Donnell (TV’s NCIS: Los Angeles) and screen legends Gene Hackman (Mississippi Burning) and Faye Dunaway (The Thomas Crown Affair) star in this gripping suspense thriller based on an explosive John Grisham (The Gingerbread Man) novel. O'Donnell stars as idealistic young attorney Adam Hall who takes on the death row clemency case of his onetime Klansman grandfather (Hackman). With just 28 days before the execution, Adam sets out to retrace the events leading to the crime for which his grandfather was convicted. As the impending death sentence looms closer, Adam works quickly to uncover the family's history for any hidden clues. In a white-knuckle series of twists and turns, Adam discovers deceptions and dark secrets that ultimately lead him to the startling truth. Directed by James Foley (Glengarry Glen Ross) with a screenplay by William Goldman (All the President’s Men) and Phil Alden Robinson (Sneakers). The top-notch cast includes Robert Prosky (Thief), Raymond J. Barry (Year of the Dragon), Harve Presnell (Fargo), Richard Bradford (The Untouchables), Josef Sommer (Witness), Jane Kaczmarek (D.O.A.), Millie Perkins (The Diary of Anne Frank) and sports legend Bo Jackson.

Release: September 29, 2026

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On the brink of the First World War, fifteen-year-old Anka is sent from her Slovakian village to work as a maid in a wealthy Prague household. Once there, the insecure newcomer is charged with looking after Resi, the family’s difficult daughter, enduring episode after episode of cruelty and humiliation at her hand. Soon, Anka begins to see cracks in Resi’s tough surface, uncovering hidden family secrets. As war shatters the Austro-Hungarian Empire, the two women find solace in each other amid a world ruled by patriarchy and conflict, forging an intimate bond simmering with love and desire which transcends the two women’s class divide. Bonus Features: 1. Making of featurette 2. Booklet with essay by film critic Nadine Whitney Top Similar From the Brand Questions Reviews Chambermaid [Blu-ray] Chambermaid

Release: July 9, 2019

$6.99

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From Claude Charlo, the legendary director of Les Bones Femmes, Les Birches, Betty and Lender. This stylish psychological thriller has such labyrinthine plotting that many critics, upon the film’s original release, found it too confusing. Christine Belling (Yvonne Fornax, La Dolce Vita) tries to convince her husband’s friend Paul Wagner (Maurice Rennet, The Unfaithful Wife) to sell his venerable champagne business to an American company and asks her husband Chris (Anthony Perkins, Psycho) to persuade the stubborn Paul. While on a trip to Hamburg, Paul picks up a girl in a restaurant—the next morning, the girl turns up dead, and Paul can’t remember what happened. Chris, who becomes aware of the incident, promptly tells his wife, and she tries to blackmail Paul into signing a deal with the Americans. But when another woman turns up dead, and again Paul is the last person to see her alive, Paul begins questioning his own sanity. Legendary actress Stephaney Audrain (Babette’s Feast) and great character actor Henry Jones (Support Your Local Sheriff! ) co-star in this Hitchcock Ian thriller beautifully shot in Scope by Jean Rapier (Cold Sweat, Madame Bovary). Special Features: -Audio Commentary by Film Historians Howard S. Berger and Nathaniel Thompson -Trailers From Hell with Tim Hunter -Theatrical Trailer Top About this item Similar From the Brand Reviews The Champagne Murders [Blu-ray]

Release: April 23, 2013

$7.99

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An unscrupulous boxer fights his way to the top, but eventually alienates all of the people who helped him on the way up. Unlike Charlie (John Garfield) in Body and Soul, Midge (Kirk Douglas) is not the basic good guy corrupted by the sweet science and led astray by evil managers and promoters, his arrogance and stubbornness make him at once a villain and a hero. Considered by most as one of the greatest boxing films ever made - nominated for six Academy Awards including Best Actor (Douglas) and winner of the Best Film Editing Oscar. The stellar cast includes Arthur Kennedy in his Oscar nominated performance, Marilyn Maxwell, Paul Stewart and Ruth Roman. Two of the film's best features are the terrific black-and-white Oscar nominated cinematography by Franz Planer and the Oscar nominated score by the legendary Dimitri Tiomkin. Written by the great Carl Forman (High Noon) and directed by Mark Robson (The Harder They Fall).

Release: January 11, 2022

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Life in the corporate world can be murder. At Mrs. Appleby's, some people would kill to get ahead. Peter Derns (Timothy Hutton), a junior exec at Mrs. Appleby's cookie company, is afraid his future prospects are crumbling faster that the product he markets. Hope appears in the curvaceous form of Kris Bolin (Lara Flynn Boyle), his new temp. Gorgeous, bright and efficient, Kris helps Peter develop a deliciously successful marketing campaign. But after two executives meet mysterious deaths, Peter fears his job security may end permanently due to the one person he needs to trust-his temp. Bonus Content: Head Office – An Interview with Director Tom Holland Office Gossip – An Interview with Actress Lin Shaye Temp Effects – An Interview with Special Effects Artist Steve Johnson Office Politics – An Interview with Editor Scott Conrad Theatrical Trailer

Release: April 22, 2014

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In CHANCES ARE, the irresistible romantic comedy of two lifetimes, Cybill Shepherd stars as Corinne Jeffries, a beautiful young woman whose picture-perfect marriage comes to a shattering halt when her husband Louie dies unexpectedly. Fortunately, Louie gets a second shot at life when he agrees to be "recycled" back to earth as the newborn Alex Finch (Robert Downey, Jr.) But fate crosses Alex's path twenty-three years later when he meets Corinne's daughter Miranda (Mary Stuart Masterson), and is suddenly flooded with a wealth of memories that all belong to Louie! Now, as Alex's former existence slowly comes to life, he must confront a wife who thinks he's dead, a daughter who could be his girlfriend and best friend (Ryan O'Neal) who's in love with Corinne. From Dirty Dancing director Emile Ardolino comes this heartwarming comedy that gives romance an unforgettable second chance.

Release: June 20, 2017

$6.99

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This first color screen take on the Agatha Christie suspense staple may shift the locale to a remote hotel in the Iranian desert, but everything else remains the same: The 10 strangers lured there by pretext, named by an unseen accuser (the voice of Orson Welles) as having gotten away with murder... and then made to pay for it in ghastly ways, one by one. Oliver Reed, Elke Sommer, Richard Attenborough, Herbert Lom, Stéphane Audran, Charles Aznavour, Gert Frobe star. AKA: "And Then There Were None." 98 min. Widescreen; Soundtrack: English; theatrical trailers.

Release: October 19, 2021

$6.99

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After starring in a string of classic films like Jailhouse Rock, King Creole, Viva Las Vegas and Clambake, the iconic Elvis Presley changed his acting habit and made this unconventional late-’60s romance his Hollywood swan song. The King takes on a rare dramatic role as the young and handsome Dr. John Carpenter, who is assigned three female medical social workers to assist him at his inner-city clinic—but he doesn’t know that they are really nuns! Mary Tyler Moore (Thoroughly Modern Millie, What’s So Bad About Feeling Good?) is Sister Michelle, one of the nuns who takes off her habit—and takes off with Elvis’ heart! When love blossoms between the sweet, singing and swinging doctor and the demure, devoted nun, Michelle must decide whether to follow her heart or stay true to her vows. In this touching story that addresses social issues still relevant today, Elvis woos his love as only he can with unforgettable musical numbers like “Rubberneckin’,” “Let Us Pray” and “Change of Habit.” The wonderful supporting cast includes Barbara McNair (Stiletto), Ed Asner (The Satan Bug), Ruth McDevitt (TV’s Kolchak: The Night Stalker) and Richard Carlson (The Maze). Special Features: -NEW Audio Commentary by Film Historians Howard S. Berger and Nathaniel Thompson -Theatrical Trailer -Optional English Subtitles

Release: November 8, 2011

$6.99

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Ryan Reynolds and Jason Bateman star in the outrageous comedy from the director of Wedding Crashers and the writers of The Hangover. One drunken night, two friends admit that they wish they had the other's life. Mitch (Reynolds) thinks Dave has it all: a beautiful, loving family and a high-paying job at a prestigious law firm. But Dave (Bateman) thinks Mitch's stress-free life without obligation or consequence is the real dream come true. The next morning they wake up, hungover, in each other's bodies, and proceed to freak out! With time not on their side, Mitch and Dave comically struggle to avoid completely destroying each other's lives before they can find a way to get their old ones back. Bonus Content: Fist Fight Deleted Scene Gag Reel Time for a Change Family Matter Feature Commentary with Director David Dobkin (Theatrical and Unrated Versions) My Scenes D-BOX BD-Live pocket BLU App

Release: October 25, 2022

$6.99

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Product Description

Release: October 25, 2022

$8.99(Not Free for Subscribers)

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Product Description THREE-DISC COLLECTION INCLUDES NEW 4K ULTRA HD + BLU-RAY WITH NEW SPECIAL FEATURES AND SOUNDTRACK CD! It has been called "remarkable" (Paste Magazine), "utterly terrifying" (Mondo Digital) and "a ghost story guaranteed to freeze the blood" (Gannett). Now this "masterpiece of terror" (Reel Reviews) from director Peter Medak (THE RULING CLASS) comes to UHD like you've never seen, heard or experienced it before: Academy Award® winner George C. Scott gives "one of his greatest performances ever" (Bloody Good Horror) as a grieving music professor tormented by a paranormal horror that includes "the best séance in horror movie history" (Newsweek). Trish Van Devere (THE HEARSE), two-time Oscar® winner Melvyn Douglas (THE TENANT) and Jean Marsh (FRENZY) co-star in "one of the most terrifying horror films of all time" (DVD Beaver), now scanned in 4K from the internegative with 4½ hours of Special Features - including revealing new interviews with Medak - plus a soundtrack CD and more. SPECIAL FEATURES: Audio Commentary With Director Peter Medak And Producer Joel B. Michaels Moderated By Severin Films' David Gregory Interview With Peter Medak By Filmmaker Adrián García Bogliano At Mórbido Fest 2018 Exile On Curzon St. - Peter Medak On His Early Years In Swinging London The House On Cheesman Park - The Haunting True Story Of THE CHANGELING The Music Of THE CHANGELING - Interview With Music Arranger Kenneth Wannberg Building The House Of Horror - Interview With Art Director Reuben Freed The Psychotronic Tourist - THE CHANGELING Master Of Horror Mick Garris On THE CHANGELING Still Gallery Trailer + TV Spot Soundtrack CD Review A bone-chilling classic... Medak takes all the elements of a haunted house story and molds them into a beautifully scary story about loss, love and retribution. --Dread Central It will give you goosebumps... A must-buy for anyone who loves a good old-fashioned yarn or has grown tired of CGI-plagued spook shows, which should mean just about everyone. --Rue Morgue One of the greatest haunted house movies ever made... It delivers on many different levels with iconic horror moments throughout. --The Digital Bits

Release: January 23, 2024

$7.99

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In the revolutionary first decade of her filmmaking career, Chantal Akerman devoted herself to nothing less than the total resculpting of cinematic time and space. Journeying between Europe and New York City, Akerman forged a highly personal style that fuses avant-garde influences with deeply human expressions of alienation, desire, and displacement—themes that she would explore in a series of increasingly ambitious shorts, documentaries, and features, including the towering Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles. With immersive rhythms that render the most minute details momentous, these landmarks of twentieth-century art continue to reveal new ways of experiencing cinema and framing reality. THREE-BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration of Les rendez-vous d’Anna and 2K digital restorations of Saute ma ville; L’enfant aimé ou Je joue à être une femme mariée; La chambre; Hotel Monterey; Le 15/8; Je tu il elle; Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles; and News from Home, with uncompressed monaural soundtracks Hanging Out Yonkers, an unfinished film from 1973 by Chantal Akerman Film-school tests by Akerman New program on Akerman featuring critic B. Ruby Rich New visual essay on Akerman featuring archival interviews Autour de “Jeanne Dielman,” a documentary made during the filming of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles, shot by actor Sami Frey and edited by Agnès Ravez and Akerman Interviews with Akerman, cinematographer Babette Mangolte, actors Aurore Clément and Delphine Seyrig, and Akerman’s mother, Natalia Appreciation by filmmaker Ira Sachs PLUS: An essay and notes on the films by critic Beatrice Loayza SAUTE MA VILLE Made when the director was just eighteen, Chantal Akerman’s debut film is a blistering first expression of what would become one of her major themes: women’s confinement in and rebellion against the domestic sphere. Akerman plays a young woman who, alone in her kitchen, enacts a savaging of traditional domestic rituals that leads to a literally explosive climax. L’ENFANT AIMÉ OU JE JOUE À ÊTRE UNE FEMME MARIÉE One of Chantal Akerman’s most rarely seen works is an intimate portrait of a young mother (played by Claire Wauthion) whose day-to-day routines are intercut with her stream-of-consciousness ruminations on her family, sex life, relationships, and body. Though Akerman (who also appears in the film) was later dismissive of her second directorial effort, its patient focus on the tension between domesticity and a woman’s inner life marks L’enfant aimé as an important link in the development of her artistry. LA CHAMBRE Chantal Akerman’s dialogue with the 1960s avant-garde movement of structural cinema begins here, with the first film she made in New York City—a breakthrough in her experiments with the bending of cinematic time and space. As the camera completes a series of circular pans around a small apartment, the interior’s furniture, its clutter, and the filmmaker herself—staring back at us from bed—become the subjects of a moving still life. HOTEL MONTEREY Under Chantal Akerman’s watchful eye, a cheap Manhattan hotel glows with mystery and unexpected beauty, its corridors, elevators, rooms, windows, and occasional occupants framed like Edward Hopper tableaux. Filmed over the course of fifteen hours, from evening to dawn, with cinematographer and frequent collaborator Babette Mangolte’s carefully controlled camera gradually making its way from the lamplit lobby to the rooftop overlooking an awakening city, this radical, silent experiment in duration stands as one of Akerman’s most arresting formal achievements, collapsing time and charging the quotidian space it surveys with an eerie unreality. LE 15/8 Shot and directed by Chantal Akerman and Samy Szlingerbaum, this quietly revealing variation on the filmmaker’s recurring themes of dislocation and alienation unfolds on one day—August 15, 1973—in a Paris apartment, where Finnish expat Chris Myllykoski opens up to the camera about her anxieties and uncertainties, her aspirations and ennui, and the sense of vulnerability she feels being a woman alone in an unfamiliar country. As Myllykoski’s voice-over narration shifts between the mundane and the searching, Akerman’s observant camera remains attuned to tiny gestures that tell a story of their own. JE TU IL ELLE Chantal Akerman’s first narrative feature is a startlingly vulnerable exploration of alienation and the search for connection. In a performance at once daringly exposed and enigmatic, Akerman plays a young woman who, following a lengthy, self-imposed exile, ventures out into the world, where she has two very different experiences of intimacy: first with a truck driver (Niels Arestrup) who picks her up, and then with a female ex-lover (Claire Wauthion). Culminating in an audacious, real-time carnal encounter that brought lesbian sexuality to the screen with a new frankness, Je tu il elle finds Akerman wielding her radical minimalism with a newfound emotional and psychological precision. JEANNE DIELMAN, 23, QUAI DU COMMERCE, 1080 BRUXELLES A singular work in film history, Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles meticulously details, with a sense of impending doom, the daily routine of a middle-aged widow, whose chores include making the beds, cooking dinner for her son, and turning the occasional trick. In its enormous spareness, Akerman’s film seems simple, but it encompasses an entire world. Whether seen as an exacting character study or as one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades. NEWS FROM HOME Following her time living in New York in the early 1970s, Chantal Akerman returned to the city to create one of her most elegantly minimalist and profoundly affecting meditations on dislocation and estrangement. Over a series of exactingly composed shots of Manhattan circa 1976, the filmmaker reads letters sent by her mother years earlier. The juxtaposition between the intimacy of these domestic reports and the lonely, bleakly beautiful cityscapes results in a poignant reflection on personal and familial disconnection that doubles as a transfixing time capsule. LES RENDEZ-VOUS D’ANNA Chantal Akerman’s narrative follow-up to her international breakthrough, Jeanne Dielman, is a penetrating portrait of a woman’s soul-deep malaise and a mesmerizing odyssey through a haunted Europe. While on a tour through Germany, Belgium, and France to promote her latest movie, Anna (Aurore Clément), an accomplished filmmaker, passes through a series of eerie, exquisitely shot brief encounters—with men and women, family and strangers—that gradually reveal her emotional and physical detachment from the world. Mirroring the itinerant Akerman’s own restless wanderings, this quasi self-portrait journeys through a succession of liminal spaces—hotel rooms, railway stations, train cars—toward an indelible encounter with the specter of history. Top About this item Similar From the Brand Reviews Chantal Akerman Masterpieces, 1968–1978 (The Criterion Collection) [Blu-ray]

Release: January 23, 2024

$7.99

Description

In the revolutionary first decade of her filmmaking career, Chantal Akerman devoted herself to nothing less than the total resculpting of cinematic time and space. Journeying between Europe and New York City, Akerman forged a highly personal style that fuses avant-garde influences with deeply human expressions of alienation, desire, and displacement—themes that she would explore in a series of increasingly ambitious shorts, documentaries, and features, including the towering Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles. With immersive rhythms that render the most minute details momentous, these landmarks of twentieth-century art continue to reveal new ways of experiencing cinema and framing reality. THREE-BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration of Les rendez-vous d’Anna and 2K digital restorations of Saute ma ville; L’enfant aimé ou Je joue à être une femme mariée; La chambre; Hotel Monterey; Le 15/8; Je tu il elle; Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles; and News from Home, with uncompressed monaural soundtracks Hanging Out Yonkers, an unfinished film from 1973 by Chantal Akerman Film-school tests by Akerman New program on Akerman featuring critic B. Ruby Rich New visual essay on Akerman featuring archival interviews Autour de “Jeanne Dielman,” a documentary made during the filming of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles, shot by actor Sami Frey and edited by Agnès Ravez and Akerman Interviews with Akerman, cinematographer Babette Mangolte, actors Aurore Clément and Delphine Seyrig, and Akerman’s mother, Natalia Appreciation by filmmaker Ira Sachs PLUS: An essay and notes on the films by critic Beatrice Loayza SAUTE MA VILLE Made when the director was just eighteen, Chantal Akerman’s debut film is a blistering first expression of what would become one of her major themes: women’s confinement in and rebellion against the domestic sphere. Akerman plays a young woman who, alone in her kitchen, enacts a savaging of traditional domestic rituals that leads to a literally explosive climax. L’ENFANT AIMÉ OU JE JOUE À ÊTRE UNE FEMME MARIÉE One of Chantal Akerman’s most rarely seen works is an intimate portrait of a young mother (played by Claire Wauthion) whose day-to-day routines are intercut with her stream-of-consciousness ruminations on her family, sex life, relationships, and body. Though Akerman (who also appears in the film) was later dismissive of her second directorial effort, its patient focus on the tension between domesticity and a woman’s inner life marks L’enfant aimé as an important link in the development of her artistry. LA CHAMBRE Chantal Akerman’s dialogue with the 1960s avant-garde movement of structural cinema begins here, with the first film she made in New York City—a breakthrough in her experiments with the bending of cinematic time and space. As the camera completes a series of circular pans around a small apartment, the interior’s furniture, its clutter, and the filmmaker herself—staring back at us from bed—become the subjects of a moving still life. HOTEL MONTEREY Under Chantal Akerman’s watchful eye, a cheap Manhattan hotel glows with mystery and unexpected beauty, its corridors, elevators, rooms, windows, and occasional occupants framed like Edward Hopper tableaux. Filmed over the course of fifteen hours, from evening to dawn, with cinematographer and frequent collaborator Babette Mangolte’s carefully controlled camera gradually making its way from the lamplit lobby to the rooftop overlooking an awakening city, this radical, silent experiment in duration stands as one of Akerman’s most arresting formal achievements, collapsing time and charging the quotidian space it surveys with an eerie unreality. LE 15/8 Shot and directed by Chantal Akerman and Samy Szlingerbaum, this quietly revealing variation on the filmmaker’s recurring themes of dislocation and alienation unfolds on one day—August 15, 1973—in a Paris apartment, where Finnish expat Chris Myllykoski opens up to the camera about her anxieties and uncertainties, her aspirations and ennui, and the sense of vulnerability she feels being a woman alone in an unfamiliar country. As Myllykoski’s voice-over narration shifts between the mundane and the searching, Akerman’s observant camera remains attuned to tiny gestures that tell a story of their own. JE TU IL ELLE Chantal Akerman’s first narrative feature is a startlingly vulnerable exploration of alienation and the search for connection. In a performance at once daringly exposed and enigmatic, Akerman plays a young woman who, following a lengthy, self-imposed exile, ventures out into the world, where she has two very different experiences of intimacy: first with a truck driver (Niels Arestrup) who picks her up, and then with a female ex-lover (Claire Wauthion). Culminating in an audacious, real-time carnal encounter that brought lesbian sexuality to the screen with a new frankness, Je tu il elle finds Akerman wielding her radical minimalism with a newfound emotional and psychological precision. JEANNE DIELMAN, 23, QUAI DU COMMERCE, 1080 BRUXELLES A singular work in film history, Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles meticulously details, with a sense of impending doom, the daily routine of a middle-aged widow, whose chores include making the beds, cooking dinner for her son, and turning the occasional trick. In its enormous spareness, Akerman’s film seems simple, but it encompasses an entire world. Whether seen as an exacting character study or as one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades. NEWS FROM HOME Following her time living in New York in the early 1970s, Chantal Akerman returned to the city to create one of her most elegantly minimalist and profoundly affecting meditations on dislocation and estrangement. Over a series of exactingly composed shots of Manhattan circa 1976, the filmmaker reads letters sent by her mother years earlier. The juxtaposition between the intimacy of these domestic reports and the lonely, bleakly beautiful cityscapes results in a poignant reflection on personal and familial disconnection that doubles as a transfixing time capsule. LES RENDEZ-VOUS D’ANNA Chantal Akerman’s narrative follow-up to her international breakthrough, Jeanne Dielman, is a penetrating portrait of a woman’s soul-deep malaise and a mesmerizing odyssey through a haunted Europe. While on a tour through Germany, Belgium, and France to promote her latest movie, Anna (Aurore Clément), an accomplished filmmaker, passes through a series of eerie, exquisitely shot brief encounters—with men and women, family and strangers—that gradually reveal her emotional and physical detachment from the world. Mirroring the itinerant Akerman’s own restless wanderings, this quasi self-portrait journeys through a succession of liminal spaces—hotel rooms, railway stations, train cars—toward an indelible encounter with the specter of history. Top About this item Similar From the Brand Reviews Chantal Akerman Masterpieces, 1968–1978 (The Criterion Collection) [Blu-ray]

Release: January 23, 2024

$7.99

Description

In the revolutionary first decade of her filmmaking career, Chantal Akerman devoted herself to nothing less than the total resculpting of cinematic time and space. Journeying between Europe and New York City, Akerman forged a highly personal style that fuses avant-garde influences with deeply human expressions of alienation, desire, and displacement—themes that she would explore in a series of increasingly ambitious shorts, documentaries, and features, including the towering Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles. With immersive rhythms that render the most minute details momentous, these landmarks of twentieth-century art continue to reveal new ways of experiencing cinema and framing reality. THREE-BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration of Les rendez-vous d’Anna and 2K digital restorations of Saute ma ville; L’enfant aimé ou Je joue à être une femme mariée; La chambre; Hotel Monterey; Le 15/8; Je tu il elle; Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles; and News from Home, with uncompressed monaural soundtracks Hanging Out Yonkers, an unfinished film from 1973 by Chantal Akerman Film-school tests by Akerman New program on Akerman featuring critic B. Ruby Rich New visual essay on Akerman featuring archival interviews Autour de “Jeanne Dielman,” a documentary made during the filming of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles, shot by actor Sami Frey and edited by Agnès Ravez and Akerman Interviews with Akerman, cinematographer Babette Mangolte, actors Aurore Clément and Delphine Seyrig, and Akerman’s mother, Natalia Appreciation by filmmaker Ira Sachs PLUS: An essay and notes on the films by critic Beatrice Loayza SAUTE MA VILLE Made when the director was just eighteen, Chantal Akerman’s debut film is a blistering first expression of what would become one of her major themes: women’s confinement in and rebellion against the domestic sphere. Akerman plays a young woman who, alone in her kitchen, enacts a savaging of traditional domestic rituals that leads to a literally explosive climax. L’ENFANT AIMÉ OU JE JOUE À ÊTRE UNE FEMME MARIÉE One of Chantal Akerman’s most rarely seen works is an intimate portrait of a young mother (played by Claire Wauthion) whose day-to-day routines are intercut with her stream-of-consciousness ruminations on her family, sex life, relationships, and body. Though Akerman (who also appears in the film) was later dismissive of her second directorial effort, its patient focus on the tension between domesticity and a woman’s inner life marks L’enfant aimé as an important link in the development of her artistry. LA CHAMBRE Chantal Akerman’s dialogue with the 1960s avant-garde movement of structural cinema begins here, with the first film she made in New York City—a breakthrough in her experiments with the bending of cinematic time and space. As the camera completes a series of circular pans around a small apartment, the interior’s furniture, its clutter, and the filmmaker herself—staring back at us from bed—become the subjects of a moving still life. HOTEL MONTEREY Under Chantal Akerman’s watchful eye, a cheap Manhattan hotel glows with mystery and unexpected beauty, its corridors, elevators, rooms, windows, and occasional occupants framed like Edward Hopper tableaux. Filmed over the course of fifteen hours, from evening to dawn, with cinematographer and frequent collaborator Babette Mangolte’s carefully controlled camera gradually making its way from the lamplit lobby to the rooftop overlooking an awakening city, this radical, silent experiment in duration stands as one of Akerman’s most arresting formal achievements, collapsing time and charging the quotidian space it surveys with an eerie unreality. LE 15/8 Shot and directed by Chantal Akerman and Samy Szlingerbaum, this quietly revealing variation on the filmmaker’s recurring themes of dislocation and alienation unfolds on one day—August 15, 1973—in a Paris apartment, where Finnish expat Chris Myllykoski opens up to the camera about her anxieties and uncertainties, her aspirations and ennui, and the sense of vulnerability she feels being a woman alone in an unfamiliar country. As Myllykoski’s voice-over narration shifts between the mundane and the searching, Akerman’s observant camera remains attuned to tiny gestures that tell a story of their own. JE TU IL ELLE Chantal Akerman’s first narrative feature is a startlingly vulnerable exploration of alienation and the search for connection. In a performance at once daringly exposed and enigmatic, Akerman plays a young woman who, following a lengthy, self-imposed exile, ventures out into the world, where she has two very different experiences of intimacy: first with a truck driver (Niels Arestrup) who picks her up, and then with a female ex-lover (Claire Wauthion). Culminating in an audacious, real-time carnal encounter that brought lesbian sexuality to the screen with a new frankness, Je tu il elle finds Akerman wielding her radical minimalism with a newfound emotional and psychological precision. JEANNE DIELMAN, 23, QUAI DU COMMERCE, 1080 BRUXELLES A singular work in film history, Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles meticulously details, with a sense of impending doom, the daily routine of a middle-aged widow, whose chores include making the beds, cooking dinner for her son, and turning the occasional trick. In its enormous spareness, Akerman’s film seems simple, but it encompasses an entire world. Whether seen as an exacting character study or as one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades. NEWS FROM HOME Following her time living in New York in the early 1970s, Chantal Akerman returned to the city to create one of her most elegantly minimalist and profoundly affecting meditations on dislocation and estrangement. Over a series of exactingly composed shots of Manhattan circa 1976, the filmmaker reads letters sent by her mother years earlier. The juxtaposition between the intimacy of these domestic reports and the lonely, bleakly beautiful cityscapes results in a poignant reflection on personal and familial disconnection that doubles as a transfixing time capsule. LES RENDEZ-VOUS D’ANNA Chantal Akerman’s narrative follow-up to her international breakthrough, Jeanne Dielman, is a penetrating portrait of a woman’s soul-deep malaise and a mesmerizing odyssey through a haunted Europe. While on a tour through Germany, Belgium, and France to promote her latest movie, Anna (Aurore Clément), an accomplished filmmaker, passes through a series of eerie, exquisitely shot brief encounters—with men and women, family and strangers—that gradually reveal her emotional and physical detachment from the world. Mirroring the itinerant Akerman’s own restless wanderings, this quasi self-portrait journeys through a succession of liminal spaces—hotel rooms, railway stations, train cars—toward an indelible encounter with the specter of history. Top About this item Similar From the Brand Reviews Chantal Akerman Masterpieces, 1968–1978 (The Criterion Collection) [Blu-ray]

Release: July 28, 2020

$6.99

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"***1/2! Reworking many of the themes from his previous works Repulsion and Rosemary's Baby … The Tenant proves to be another first-class effort from genre director Polanski. A must-see" – The Terror Trap An apartment with an unhappy past sets the stage for filmmaker Roman Polanski's riveting psychological suspense thriller, The Tenant. Polanski stars as Trelkovsky, a quiet, timid file clerk increasingly overshadowed with dread and fear after he moves into his new apartment. Adding to his paranoia are the building's other occupants, who do nothing to alleviate his growing obsession with the untimely, tragic fate of the apartment's previous tenant. Is Trelkovsky's dread truly justified – or is it simply the result of his seemingly disintegrating mental state? A brilliant international cast – Isabelle Adjani, Melvyn Douglas, Jo Van Fleet, Bernard Fresson and Shelley Winters – and Polanski's own penchant for delivering unprecedented suspense (Repulsion, Rosemary's Baby, Chinatown) make The Tenant a haunting, riveting film classic!

Release: May 25, 2021

$6.99

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From Carnegie Award-winning author Patrick Ness comes a bold cinematic experience beyond imagination. Todd Hewitt lives on the distant planet of New World--a new hope for humanity until struck by 'The Noise,' a virus which inflicts immersive visions of ones' every thought. The cacophony drives many mad until Todd makes a hidden, silent discovery: there is a girl named Viola, who may be the key to unlocking New World's many layered secrets. Together, the two unlikely companions are forced on a white-knuckle adventure into an unexplored planet -- trying to escape and hide in an environment where all thought is heard, all movement seen --as they both discover the truth about the lives they left behind and the spectacular world they've learned to call home.

Release: May 25, 2021

$7.99

Description

From Carnegie Award-winning author Patrick Ness comes a bold cinematic experience beyond imagination. Todd Hewitt lives on the distant planet of New World--a new hope for humanity until struck by 'The Noise,' a virus which inflicts immersive visions of ones' every thought. The cacophony drives many mad until Todd makes a hidden, silent discovery: there is a girl named Viola, who may be the key to unlocking New World's many layered secrets. Together, the two unlikely companions are forced on a white-knuckle adventure into an unexplored planet -- trying to escape and hide in an environment where all thought is heard, all movement seen --as they both discover the truth about the lives they left behind and the spectacular world they've learned to call home.

Release: February 15, 2011

$6.99

Description

Robert Downey, Jr. captures the essence of comic genius Charlie Chaplin in a compelling, nuanced performance that earned him Oscar® and Golden Globe® nominations for Best Actor. Director Richard Attenborough’s well-crafted portrait traces Chaplin’s impoverished London upbringing, extraordinary success as an actor and director, his troubled marriages, scandalous affairs, shocking exile to Switzerland and his triumphant return to Hollywood. The huge star-studded cast includes Kevin Kline, Dan Aykroyd, Milla Jovovich, Diane Lane and Geraldine Chaplin (as her own grandmother), and Downey’s astonishing mimicry of Chaplin’s gait, gestures and accents complete a dazzlingly authentic portrait of one of cinema’s first pop culture icons.

$6.99

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A restored collection of Charlie Chaplin's 1915 Essanay shorts, capturing the rapid evolution of the Little Tramp persona through slapstick and invention.

Release: March 30, 2021

$6.99

Description

Cecil B. DeMille's final film was this grand-scale religious epic starring Charlton Heston as Moses, an adopted Egyptian prince chosen by God to abandon a life of luxury and lead his fellow Israelites out of slavery. The flight from Egypt, the parting of the Red Sea, and Moses' receiving of the Commandments are among this classic film's many highlights. With Edward G. Robinson, Yul Brynner, Anne Baxter, Yvonne de Carlo, and a cast of thousands. 3 3/4 hrs. Widescreen; Soundtracks: English DTS HD 5.1 Master Audio, Dolby Digital stereo Surround, Dolby Digital stereo, French Dolby Digital mono, Portuguese Dolby Digital stereo Surround, Dolby Digital stereo, Spanish Dolby Digital mono; Subtitles: English (SDH), French, Portuguese, Spanish; audio commentary; theatrical trailers; more. Three-disc set.

Release: February 25, 2020

$7.99

Description

Cecil B. DeMille's final film was this grand-scale religious epic starring Charlton Heston as Moses, an adopted Egyptian prince chosen by God to abandon a life of luxury and lead his fellow Israelites out of slavery. The flight from Egypt, the parting of the Red Sea, and Moses' receiving of the Commandments are among this classic film's many highlights. With Edward G. Robinson, Yul Brynner, Anne Baxter, Yvonne de Carlo, and a cast of thousands. 3 3/4 hrs. Also includes the bonus feature "The Ten Commandments" (1923). Widescreen (Enhanced); Soundtracks: English DTS HD 5.1 Master Audio, French, Spanish, Portuguese; Subtitles: English (SDH), French, Spanish, Portuguese. Three-disc set.

$7.99

Description

This restored set gathers Chaplin's celebrated Mutual shorts, including many of the comic masterpieces that defined his mature silent style.

Release: July 10, 2018

$7.99

Description

Ted Kennedy's life and political career become derailed in the aftermath of a fatal car accident in 1969 that claims the life of a young campaign strategist, Mary Jo Kopechne.

Release: June 16, 2015

$6.99

Description

Chappie tells the story of a robot imbued with artificial intelligence who is stolen by two local gangsters who want to use him for their own nefarious purposes.

Release: November 3, 2015

$6.99

Description

Product Description Fritz Haarmann, aka the Butcher of Hanover and the Vampire of Hanover, was a German serial killer responsible for the murders of two dozen boys and young men during the so-called ‘years of crisis’ between the wars. His case would partly inspire Fritz Lang’s M, and its central character portrayed by Peter Lorre, as well as this forgotten gem from 1973. Tenderness of the Wolves treats the viewer to a few weeks in the company of a killer. Baby-faced and shaven-headed, in a manner that recalls both M and F.W. Murnau’s Nosferatu, Haarmann is a fascinating, repulsive figure. Using his status as a police informant to procure his victims, he dismembers their bodies after death and sells the flesh to restaurants, dumping the remainder out of sight. This isn’t an easy film to watch, but it certainly gets under the skin… Produced by Rainer Werner Fassbinder (who also supplies a shifty cameo), Tenderness of the Wolves provided two of his regular actors with a means of expanding their careers. Ulli Lommel – later responsible for the infamous video nasty The Boogeyman – made his directorial debut, while Kurt Raab wrote the screenplay as well as delivering an astonishing performance as Haarmann. Special Edition Contents: New high definition digital transfer prepared by the Rainer Werner Fassbinder Foundation High Definition Blu-ray (1080p) and Standard Definition DVD presentations Uncompressed Mono 1.0 PCM Audio New translated English subtitles The Tender Wolf - a brand-new in-depth interview with director Ulli Lommel Brand-new interview with director of photography Jürgen Jürges Newly-filmed appreciation by film historian and expert on European horror cinema Stephen Thrower Theatrical trailer Reversible sleeve featuring original and newly commissioned artwork by the Twins of Evil Illustrated booklet featuring new writing on the film by Tony Rayns Review Demands that Ulle Lommel be regarded one of the great artists of horror cinema --Weird Wild Realm Beautifully and enthusiastically performed --The New York Times Lommel's film remains as disturbing a look at a serial killer as you're likely to see --Film4

Release: June 2, 2026

$7.99

Description

In this comedic thriller, a trio of crooks relentlessly pursue a young American, played by Audrey Hepburn in gorgeous Givenchy, through Paris in an attempt to recover the fortune her dead husband stole from them. The only person she can trust is Cary Grant’s suave, mysterious stranger. Director Stanley Donen goes deliciously dark for Charade, a glittering emblem of 1960s style and macabre wit. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, with uncompressed monaural soundtrack One 4K UHD disc of the film and one Blu-ray with the film and special features Audio commentary from 1999 featuring director Stanley Donen and screenwriter Peter Stone Trailer English subtitles for the deaf and hard of hearing PLUS: An essay by film historian Bruce Eder

Release: October 10, 2017

$7.99

Description

A young widow is pursued in Paris by men searching for stolen war loot and must decide whether a charming stranger can be trusted.